Miss Elizabeth Haverfield - Thomas Gainsborough
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A portrait of Elizabeth Haverfield by Thomas Gainsborough, featuring the subject in a large hat and dark shawl, rendered with the artist's signature fluid brushwork.
Thomas Gainsborough painted this portrait of Elizabeth Haverfield around 1780. The work captures the young subject in a manner typical of the artist's later period, where his brushwork became increasingly fluid and light. Elizabeth is depicted wearing a large, decorative hat and a dark shawl draped over a simple white dress. Her posture is relaxed, and she holds the strings of her shawl, creating a sense of natural movement within the composition.
Gainsborough was known for his ability to balance formal portraiture with a sense of spontaneity. In this piece, the background is treated with the same loose, atmospheric quality as the sitter's clothing. The soft, golden light emanating from the right side of the canvas illuminates her face and the texture of her hat, while the left side remains in shadow. This contrast directs the viewer's attention to the subject's expression and the delicate details of her attire.
The painting reflects the fashion of the late 18th century, particularly the popularity of large, ornate headwear among the upper classes. Gainsborough's technique here relies on quick, feathery strokes that suggest form rather than defining it with rigid outlines. This approach gives the portrait a sense of life and immediacy. The Wallace Collection in London holds this work, which remains a fine example of the artist's skill in capturing the character of his sitters through light and colour. The composition avoids the stiffness often found in contemporary portraiture, opting instead for a graceful, painterly quality that defines Gainsborough's contribution to British art.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Miss Elizabeth Haverfield - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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