A classical Baroque scene depicting the mythological encounter between Mercury and Battus, set within a structured, atmospheric landscape.

Francisque Millet, a painter of Flemish origin who spent his career in France, produced this work during the height of the seventeenth-century classical tradition. The composition draws upon the narrative from Ovid's Metamorphoses, depicting the god Mercury in the guise of a shepherd as he questions the old man, Battus, regarding the location of Apollo's stolen cattle.

The painting organises the scene into distinct zones: a foreground populated by the figures, a middle ground of dense foliage and water, and a background dominated by dramatic, craggy rock formations. Millet employs a structured approach to space, using the trees on the left and right to frame the central vista. This technique directs the viewer's eye toward the distant mountains, which are rendered with a sense of atmospheric perspective. The light is cool and even, typical of the period's preference for clarity and order over the more turbulent effects found in other Baroque schools.

The figures of Mercury and Battus are relatively small in scale, serving as components within the broader natural environment rather than the primary focus. This subordination of the human element to the setting is a hallmark of the heroic landscape style popularised by Nicolas Poussin and Gaspard Dughet. Millet's palette relies on earthy tones, deep greens, and blues, which contribute to the calm, intellectual quality of the scene. The meticulous attention to the textures of the rock face and the varied foliage demonstrates the artist's technical precision. This piece offers a clear example of how seventeenth-century painters used classical mythology to explore the relationship between human narrative and the natural world.