Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Marknad med Kristus och kvinnan tagen på bar gärning - Pieter Aertsen
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
Ett nordeuropeiskt renässansverk från 1559 av Pieter Aertsen, med en detaljerad marknadsscen i förgrunden och den bibliska berättelsen om Kristus och kvinnan som togs på bar gärning i bakgrunden.
Pieter Aertsen, en mästare inom den nordeuropeiska renässansen, skapade detta verk 1559. Det visar den karakteristiska omkastningen av hierarki som är vanlig i hans oeuvre, där vardagliga marknadsaktiviteter upptar förgrunden, medan den bibliska berättelsen förpassas till bakgrunden. Betraktaren konfronteras med en uppvisning av produkter, inklusive kål, vindruvor och rotfrukter, återgivna med noggrann uppmärksamhet på textur och form. En man till vänster erbjuder lök, medan en sittande figur till höger håller en korg med ägg och en fågel, vilket förankrar scenen i 1500-talets kommersiella verklighet. I fjärran utspelar sig berättelsen om Kristus och kvinnan som togs på bar gärning. Kristus avbildas när han böjer sig ner för att skriva på marken, omgiven av figurer i tidsenlig klädsel. Denna juxtaposition tvingar fram en dialog mellan marknadens materiella värld och den religiösa händelsens moraliska tyngd. Aertsen använder förgrunden för att engagera betraktaren med varornas fysiska närvaro, vilket skapar en känsla av omedelbarhet som kontrasterar mot de mindre, mer avlägsna figurerna i den bibliska scenen. Den arkitektoniska miljön, med sitt tegelfliserade golv och sina valvkonstruktioner, utgör en scen för dessa två distinkta handlingslager. Målningen speglar skiftet i holländsk konst mot sekulära ämnen, även när religiösa teman fortfarande är närvarande. Belysningen är balanserad, vilket möjliggör en tydlig observation av både produkterna i förgrunden och figurerna i bakgrunden. Aertsens teknik visar en hög grad av kontroll över oljefärger och fångar de varierande ytorna på grönsakerna och tygerna som marknadshandlarna bär.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Marknad med Kristus och kvinnan tagen på bar gärning - Pieter Aertsen
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Pieter Aertsen
Aertsen invented the inverted still life. In A Meat Stall with the Holy Family Giving Alms (1551), enormous joints of meat and sausages fill the foreground while the biblical scene is barely visible through a window in the background. It was a radical reversal of pictorial hierarchy: the sacred was pushed to the margin, and the everyday became monumental.
He was born in Amsterdam around 1508 and was known as "Lange Piet" (Tall Pete) because of his height. He apprenticed under Allaert Claesz in Amsterdam before moving to Antwerp, where he became a citizen in 1542 and worked for roughly fifteen years. His market and kitchen scenes placed food, cookware and domestic labour at enormous scale, transforming genre subjects into something approaching history painting's physical presence.
He married Kathelijne Beuckelaar, and three of their eight children became painters. His nephew and pupil Joachim Beuckelaer continued and developed his distinctive format. Many of Aertsen's later religious paintings were destroyed during the Beeldenstorm, the wave of Protestant iconoclasm in 1566. He returned to Amsterdam around 1556 and died there in 1575. His monumental kitchen and market scenes anticipate the still-life painting of the seventeenth century by half a century, and his compositional strategy of hiding the sacred behind the secular continues to generate scholarly argument about his intentions.
He was born in Amsterdam around 1508 and was known as "Lange Piet" (Tall Pete) because of his height. He apprenticed under Allaert Claesz in Amsterdam before moving to Antwerp, where he became a citizen in 1542 and worked for roughly fifteen years. His market and kitchen scenes placed food, cookware and domestic labour at enormous scale, transforming genre subjects into something approaching history painting's physical presence.
He married Kathelijne Beuckelaar, and three of their eight children became painters. His nephew and pupil Joachim Beuckelaer continued and developed his distinctive format. Many of Aertsen's later religious paintings were destroyed during the Beeldenstorm, the wave of Protestant iconoclasm in 1566. He returned to Amsterdam around 1556 and died there in 1575. His monumental kitchen and market scenes anticipate the still-life painting of the seventeenth century by half a century, and his compositional strategy of hiding the sacred behind the secular continues to generate scholarly argument about his intentions.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Artistbiografi
Pieter Aertsen
Aertsen invented the inverted still life. In A Meat Stall with the Holy Family Giving Alms (1551), enormous joints of meat and sausages fill the foreground while the biblical scene is barely visible through a window in the background. It was a radical reversal of pictorial hierarchy: the sacred was pushed to the margin, and the everyday became monumental.
He was born in Amsterdam around 1508 and was known as "Lange Piet" (Tall Pete) because of his height. He apprenticed under Allaert Claesz in Amsterdam before moving to Antwerp, where he became a citizen in 1542 and worked for roughly fifteen years. His market and kitchen scenes placed food, cookware and domestic labour at enormous scale, transforming genre subjects into something approaching history painting's physical presence.
He married Kathelijne Beuckelaar, and three of their eight children became painters. His nephew and pupil Joachim Beuckelaer continued and developed his distinctive format. Many of Aertsen's later religious paintings were destroyed during the Beeldenstorm, the wave of Protestant iconoclasm in 1566. He returned to Amsterdam around 1556 and died there in 1575. His monumental kitchen and market scenes anticipate the still-life painting of the seventeenth century by half a century, and his compositional strategy of hiding the sacred behind the secular continues to generate scholarly argument about his intentions.
He was born in Amsterdam around 1508 and was known as "Lange Piet" (Tall Pete) because of his height. He apprenticed under Allaert Claesz in Amsterdam before moving to Antwerp, where he became a citizen in 1542 and worked for roughly fifteen years. His market and kitchen scenes placed food, cookware and domestic labour at enormous scale, transforming genre subjects into something approaching history painting's physical presence.
He married Kathelijne Beuckelaar, and three of their eight children became painters. His nephew and pupil Joachim Beuckelaer continued and developed his distinctive format. Many of Aertsen's later religious paintings were destroyed during the Beeldenstorm, the wave of Protestant iconoclasm in 1566. He returned to Amsterdam around 1556 and died there in 1575. His monumental kitchen and market scenes anticipate the still-life painting of the seventeenth century by half a century, and his compositional strategy of hiding the sacred behind the secular continues to generate scholarly argument about his intentions.
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