Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Ser ut som hon roar sig – en lärare från Keisei-eran – Tsukioka Yoshitoshi
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
Ett träsnitt av Tsukioka Yoshitoshi som föreställer en kvinna från Keisei-eran som spelar shamisen. Konstverket visar Yoshitoshis skicklighet i att fånga mänskliga känslor och uttryck.
Detta träsnitt av Tsukioka Yoshitoshi (1839–1892) föreställer en kvinna från Keisei-eran, troligen en lärare eller underhållare, som spelar shamisen. Yoshitoshi var en framstående japansk konstnär under sena Edo- och tidiga Meiji-perioderna, allmänt erkänd som en av de sista stora mästarna inom ukiyo-e, konsten att göra träsnitt. Hans verk är kända för sina dramatiska och ofta oroande bilder, vilket speglar de sociala och politiska omvälvningarna under hans tid. Kvinnan visas i en avslappnad pose, med hennes uppmärksamhet riktad mot instrumentet. Hon bär en mönstrad kimono i blå, röda och svarta nyanser, med en lila scarf runt halsen. Hennes hår är stylat på traditionellt sätt, prytt med en dekorativ kam. Bakgrunden är enkel, med text och kartuscher typiska för ukiyo-e-tryck. Trycket visar Yoshitoshis skicklighet i att fånga mänskliga känslor och uttryck, samt hans mästerskap i färg och linje. Kompositionen är noggrant balanserad och drar betraktarens öga till den centrala figuren och hennes aktivitet.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Ser ut som hon roar sig – en lärare från Keisei-eran – Tsukioka Yoshitoshi
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Yoshitoshi
Yoshitoshi, born Tsukioka Kin'ichi, was arguably the last great master of ukiyo-e. He witnessed the decline of traditional Japanese woodblock printing during the Meiji era, as photography and Western printing techniques gained popularity. Despite this, Yoshitoshi was determined to revitalise the art form, experimenting with new subjects and styles. His efforts ensured ukiyo-e's survival into the 20th century. He is known for his series *One Hundred Aspects of the Moon*. Other notable works include *Beautiful Woman with Fan*, *Desire*, and *Akashi*.
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Yoshitoshi
Yoshitoshi, born Tsukioka Kin'ichi, was arguably the last great master of ukiyo-e. He witnessed the decline of traditional Japanese woodblock printing during the Meiji era, as photography and Western printing techniques gained popularity. Despite this, Yoshitoshi was determined to revitalise the art form, experimenting with new subjects and styles. His efforts ensured ukiyo-e's survival into the 20th century. He is known for his series *One Hundred Aspects of the Moon*. Other notable works include *Beautiful Woman with Fan*, *Desire*, and *Akashi*.
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.
Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.
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