Livia da Porto Thiene and her Daughter Porzia - Paolo Veronese
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A portrait by Paolo Veronese depicting Livia da Porto Thiene and her daughter, captured in the style of the Venetian Renaissance.
Paolo Veronese, a master of the Venetian school, painted this portrait of Livia da Porto Thiene and her daughter Porzia around 1552. The work depicts the wife of Count Iseppo da Porto, a prominent figure in Vicenza, alongside her young child. The composition is notable for its directness, placing the figures within a narrow, architectural space that draws the viewer's attention to the subjects rather than the surroundings.
Livia is dressed in a gown of deep red, trimmed with fur, which suggests the status and wealth of the family. Her daughter, Porzia, stands to her side, clutching her mother's dress. The interaction between the two is captured with a sense of quiet observation. Veronese employs his characteristic handling of light and texture, particularly in the rendering of the fabrics and the soft features of the faces. The colour palette is dominated by the warm, earthy tones of the mother's attire, contrasted against the cooler green of the daughter's dress.
This painting is a fine example of mid-sixteenth-century Venetian portraiture, where the focus shifted towards capturing the presence of the sitter with a degree of naturalism. The artist avoids excessive ornamentation, allowing the dignity of the figures to define the image. The work remains a clear record of the fashion and social standing of the period in Northern Italy. It is currently held in the collection of the Walters Art Museum in Baltimore, providing a window into the domestic lives of the Venetian aristocracy during the Renaissance.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Livia da Porto Thiene and her Daughter Porzia - Paolo Veronese
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