Lion Attacking a Horse - George Stubbs
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Beskrivning
A dramatic oil painting by George Stubbs depicting a lion attacking a white horse, showcasing the artist's mastery of animal anatomy and tension.
George Stubbs, a painter known for his anatomical precision, produced several variations of this subject during the 1760s. This composition depicts a dramatic encounter between a lion and a horse, a theme that fascinated the artist throughout his career. The horse, rendered with a white coat, displays visible tension in its musculature as it attempts to flee the predator. The lion, positioned firmly on the horse's back, is captured in a moment of predatory focus.
Stubbs based his understanding of animal anatomy on his own dissections, which he conducted in the late 1750s. His scientific approach is evident in the rendering of the horse's strained neck and the lion's powerful limbs. The background is a muted, atmospheric setting, which directs the viewer's attention to the central struggle. The lighting is controlled, casting shadows that define the physical forms of the animals against the open, somewhat desolate terrain.
This work reflects the eighteenth-century interest in the sublime, a concept often associated with the raw power of nature. Unlike many of his contemporaries who focused on portraiture or pastoral scenes, Stubbs explored the primal nature of animals. The painting avoids excessive ornamentation, relying instead on the clarity of form and the intensity of the action. The composition is balanced, with the diagonal line of the horse's body creating a sense of movement that contrasts with the stability of the ground. This print captures the technical skill of Stubbs, preserving the fine details of the brushwork and the subtle tonal shifts of the original oil painting.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lion Attacking a Horse - George Stubbs
Artist Biography
George Stubbs
He was born in Liverpool, the son of a currier (a leather worker). He was largely self-taught. In his twenties he spent eighteen months in a farmhouse in Horkstow, Lincolnshire, dissecting horses. He suspended the carcasses from the ceiling using hooks and pulleys, peeled back the layers of skin and muscle, and drew every stage. The results were published as The Anatomy of the Horse (1766), one of the most accurate anatomical studies ever produced by an artist. The book established his reputation.
His horse portraits are commissioned works: wealthy landowners wanted their racehorses painted. Stubbs obliged, but his understanding of equine anatomy gave the paintings a presence that other sporting painters could not match. Whistlejacket, a life-size portrait of a chestnut stallion rearing against a plain background, is among the most striking animal paintings ever made. There is no landscape, no rider, no context. Just the horse.
He also painted dogs, exotic animals (a zebra, a rhinoceros, a moose), and rural scenes with labourers and haymakers. He experimented with enamel painting on ceramic tablets made by Josiah Wedgwood. He was elected to the Royal Academy but refused to submit a diploma piece, which meant he was never made a full Academician. He died in 1806, at eighty-one.
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