Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
John Lewis Brown med hustru och dotter - Giovanni Boldini
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
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Beskrivning
Ett porträtt av John Lewis Brown och hans familj av Giovanni Boldini, som fångar den sociala atmosfären i 1890-talets Paris genom flytande, uttrycksfulla penseldrag.
Giovanni Boldini, en italiensk målare verksam i Paris, skildrade den sena 1800-talets sociala elit med en distinkt snabb, flytande penselföring. Detta porträtt avbildar den franske målaren John Lewis Brown tillsammans med hans hustru och dotter. Kompositionen återspeglar konstnärens förmåga att förmedla sina subjekts energi genom lösa, gestikulerande markeringar snarare än stel akademisk precision. Boldini fokuserar på modellernas karaktär, särskilt Browns centrala figur, vars hög hatt och skägg är utförda med snabba, självsäkra penseldrag. Familjens mörka, formella klädsel kontrasterar mot den dämpade, atmosfäriska bakgrunden, en vanlig teknik i Boldinis verk för att rikta uppmärksamheten mot ansikten och uttryck hos sina motiv. Målningen undviker överdriven detaljrikedom i kläderna, och väljer istället att antyda textur och rörelse genom färgpåläggning. Detta verk är karakteristiskt för konstnärens produktion under 1890-talet, en period då han blev en föredragen porträttmålare för den parisiska aristokratin och den förmögna borgarklassen. Hans förhållningssätt till porträttmåleri innebar ofta en känsla av omedelbarhet, som om subjekten fångades i ett flyktigt ögonblick av social interaktion. Den dämpade färgpaletten, dominerad av bruna, svarta och mjuka ockrafärger, utgör en sofistikerad bakgrund som låter modellernas personligheter framträda. Genom att prioritera penselns rytm framför statisk realism skapar Boldini en känsla av liv som definierar hans bidrag till tidens europeiska porträttmåleri.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
John Lewis Brown med hustru och dotter - Giovanni Boldini
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Boldini
In 2010, a Boldini portrait was found in a Paris flat that had been sealed for over fifty years. The painting showed his former muse, the actress Marthe de Florian, and it emerged into a world that had largely forgotten both the sitter and the scale of Boldini's fame. In the 1890s he had been the most fashionable portrait painter in Paris, with a waiting list that included aristocrats, actresses and anyone who wanted to look more alive than they actually were.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Giovanni Boldini
In 2010, a Boldini portrait was found in a Paris flat that had been sealed for over fifty years. The painting showed his former muse, the actress Marthe de Florian, and it emerged into a world that had largely forgotten both the sitter and the scale of Boldini's fame. In the 1890s he had been the most fashionable portrait painter in Paris, with a waiting list that included aristocrats, actresses and anyone who wanted to look more alive than they actually were.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
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