A 1792 portrait by William Wood depicting Joanna de Silva, a nurse from Bengal, captured with traditional oil techniques and historical detail.

This portrait by William Wood depicts Joanna de Silva, a woman from Bengal who served as a nurse to the children of Lieutenant Colonel Charles Deare. Painted in 1792, the work provides a specific historical record of an individual whose presence is often absent from the broader colonial narrative of the period. Wood, a British artist who spent time in India, employs a traditional portraiture style, placing the subject against a soft, cloud-filled sky.

Joanna de Silva is shown in a three-quarter view, wearing a white shawl draped over her shoulders and multiple strands of beads. Her expression is composed, and her gaze is directed away from the viewer. The inscription in the upper right corner of the canvas identifies her role and origin, a common practice in portraiture of the late eighteenth century to document the subject's identity and social position. The brushwork is precise, capturing the texture of the fabric and the subtle light on her features.

This painting is held in the collection of the Yale Center for British Art. It offers a window into the complex social structures of British India at the end of the eighteenth century. The portrait is notable for its directness and the dignity with which the artist renders the subject. It remains a significant example of colonial-era portraiture, documenting the life of a woman who occupied a specific place within a British household in Bengal.