Illustration for Die Traumenden Knaben - Oskar Kokoschka
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
A striking 1908 lithograph by Oskar Kokoschka, featuring the bold lines and dreamlike narrative style of early Austrian Expressionism.
This work is a lithograph from the 1908 publication Die Traumenden Knaben (The Dreaming Boys), a seminal project in early twentieth-century Austrian art. Oskar Kokoschka produced this book while still a student at the Kunstgewerbeschule in Vienna. The imagery reflects the transition from the decorative aesthetics of the Vienna Secession toward the psychological intensity of Expressionism.
The composition presents a flattened, dreamlike narrative space. Figures in small boats navigate dark waters, while others occupy rocky, green-hued landforms. Kokoschka employs bold, black outlines to contain areas of flat colour, a technique that draws upon folk art and medieval woodcut traditions. The stark contrast between the deep, dark background and the pale, simplified forms of the figures creates a sense of detachment from reality. The fish and wave motifs are rendered with a rhythmic, graphic quality that unifies the scene.
Die Traumenden Knaben was dedicated to Gustav Klimt, yet the visual language here departs from Klimt's ornamental style. Instead, Kokoschka introduces a raw, subjective approach to storytelling. The figures possess a fragile, elongated quality, typical of the artist's early graphic work. This print captures the tension between innocence and anxiety, themes that recur throughout Kokoschka's career. The work remains a significant example of the avant-garde book design produced in Vienna during the period, demonstrating a move away from traditional perspective in favour of symbolic, emotive representation.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Illustration for Die Traumenden Knaben - Oskar Kokoschka
Artist Biography
Oskar Kokoschka
He was born in 1886 in Pochlarn, Austria. He was shot through the head in Ukraine and bayoneted in the chest in Russia. He survived both.
After the war, he commissioned a Munich dollmaker named Hermine Moos to create a life-size replica of Alma, sending detailed instructions about the feel of her skin and the weight of her body. Moos covered the figure in feathers instead. Kokoschka eventually staged a public execution: he decapitated the doll and smashed a bottle of wine over its head on his lawn. The police arrived the next morning, thinking he had murdered a woman.
The Nazis declared him a degenerate artist. He fled Czechoslovakia for London after the Munich Agreement and became a British citizen in 1947. His Expressionist portraits are among the most psychologically penetrating of the twentieth century: raw, agitated surfaces that seem to expose the sitter's interior state. He lived to ninety-four.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Du kanske också gillar

