Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Initialer med scener - Giovanni Battista Tiepolo
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
En serie med tjugo historierade initialer av Giovanni Battista Tiepolo, med känsliga figurstudier i penna och lavering inom bokstavsformerna.
Denna samling av tjugo historierade initialer visar Giovanni Battista Tiepolos flytande teckningsförmåga. Varje bokstav fungerar som en ram för små, berättande scener, en teknik rotad i traditionen med illuminerade manuskript men utförd med den venetianska rokokons karakteristiska lätthet och teatralitet. Tiepolo använder snabba, kalligrafiska pennstreck i kombination med känsliga bruna laveringar för att definiera form och skugga inom bokstavsformernas begränsade utrymmen.
Figurerna som avbildas i dessa initialer uppvisar de långsträckta proportioner och dramatiska gester som är vanliga i Tiepolos större kompositioner. Trots den miniatyriska skalan bibehåller konstnären en känsla av rumsligt djup genom den strategiska appliceringen av lavering, vilket skapar en mjuk, atmosfärisk kvalitet. Motiven varierar och inkluderar klassiska, religiösa och genre-element som antyder ett brett spektrum av potentiella användningsområden, kanske för ett dekorativt alfabet eller en serie bokillustrationer.
Dessa studier avslöjar konstnärens förmåga att kondensera komplexa berättelseidéer till kompakta, balanserade designer. Samspelet mellan alfabetets rigida struktur och figurernas organiska, aktiva natur skapar en visuell spänning. Sepiatonerna ger en varm, enhetlig estetik över hela serien, vilket gör att betraktaren kan uppskatta linjernas ekonomi och laveringens precision. Som en dokumentation av Tiepolos kreativa process erbjuder dessa teckningar insikt i hans mångsidiga hand, som rör sig från den storskaliga takfresken till de intima kraven på grafisk design.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Initialer med scener - Giovanni Battista Tiepolo
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Artistbiografi
Giovanni Battista Tiepolo
Tiepolo's father was a small shipping merchant who bore a famous Venetian patrician name without any claim to noble descent. The gap between the name and the reality may have sharpened the son's ambition. By mid-career he was the most sought-after ceiling painter in Europe, working for bishops, princes and kings across Italy, Germany and Spain.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
He was born in Venice in 1696, the youngest of six children. His father died about a year later, leaving his mother to raise the family in difficult circumstances. At fourteen he was apprenticed to Gregorio Lazzarini, a painter of eclectic style. His early work was dark and heavy, but after his marriage to Maria Cecilia Guardi in 1719, his palette brightened and his touch became lighter and more fluid. The transformation was radical: the sombre young painter became the most luminous colourist of the eighteenth century.
His ceiling fresco at the Wurzburg Residence (1750 to 1753), painted for the Prince-Bishop, is the largest fresco in the world and the supreme achievement of Baroque illusionistic decoration. He travelled there with his sons Domenico and Lorenzo, who served as assistants throughout his career. Tiepolo and his wife had nine children in total; four daughters and three sons survived to adulthood.
In 1755 he was elected Director of the Accademia in Venice. In 1762 he moved with his sons to Madrid at the invitation of Charles III of Spain to decorate the Royal Palace. The Spanish court favoured the cooler Neoclassicism of Anton Raphael Mengs, and Tiepolo found himself outmanoeuvred. He died in Madrid in 1770, at seventy-four, his Rococo exuberance already passing out of fashion.
Du kanske också gillar