Hanging Gardens of Hammersmith No. 2 - Victor Pasmore
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Beskrivning
A seminal work by Victor Pasmore, this 1947 painting captures the essence of the Thames-side environment through delicate, abstract marks and a light-filled composition.
Hanging Gardens of Hammersmith No. 2, painted in 1947, marks a significant shift in the career of Victor Pasmore. During this period, the artist moved away from the figurative style associated with the Euston Road School towards a more abstract interpretation of form and space. This work captures the atmosphere of the Thames-side environment in London, yet it does so through a delicate, almost ethereal arrangement of marks rather than literal representation.
The composition relies on a sparse, light-filled background that suggests the expansive quality of the river air. Against this pale ground, Pasmore places clusters of small, stippled dots and thin, sweeping lines. These elements evoke the organic growth of foliage and the skeletal structure of trees, yet they remain detached from traditional botanical illustration. The application of paint is precise, creating a sense of rhythm that guides the eye across the surface of the canvas.
Pasmore was deeply interested in the relationship between nature and geometry. In this piece, the organic shapes are balanced by a subtle, underlying structural order. The colour palette is restrained, focusing on earthy tones of ochre, soft brown, and muted green, which contrast with the cool, bright white of the negative space. This work reflects the artist's interest in the visual language of modernism, where the focus shifts from the subject matter itself to the arrangement of colour, line, and texture. It is a quiet, contemplative piece that demonstrates the transition of British art in the post-war era, moving towards a synthesis of observation and pure abstraction.
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Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Hanging Gardens of Hammersmith No. 2 - Victor Pasmore
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