Going to Work - Jean-François Millet
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Beskrivning
A classic example of French Realism, this painting depicts two peasants walking to their fields at dawn, rendered in earthy tones.
Jean-François Millet, a central figure of the Barbizon school, produced this work during his period of focus on the lives of French peasants. The painting depicts a man and a woman walking across a field at the start of their day. The man carries a pitchfork over his shoulder, while the woman walks beside him, her head covered by a large bonnet. Their postures suggest the physical weight of their daily labour.
Millet employs a muted palette dominated by earth tones, ochres, and deep greens. This choice of colour reinforces the connection between the figures and the soil they work. The lighting is soft, suggesting the early hours of the morning. The composition is straightforward, placing the two figures in profile against a low horizon line. This arrangement draws attention to the physical presence of the peasants rather than the surrounding environment.
Unlike many of his contemporaries who focused on historical or mythological subjects, Millet chose to document the reality of rural existence. He treats his subjects with a sense of gravity and dignity. The brushwork is visible and textured, contributing to the grounded quality of the scene. This work is characteristic of his approach to Realism, where the artist seeks to represent the ordinary activities of life without idealisation. The figures appear weary yet determined, capturing a moment of transition before the demands of the day begin. The painting remains a clear example of how Millet elevated the status of the agricultural worker within the context of nineteenth-century European art.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Going to Work - Jean-François Millet
Artist Biography
Jean Francois Millet
Two village priests educated him in Latin and literature before he was pulled back to farm work. He eventually reached Paris, where he lived in poverty for a period, painting in a damp cellar. His first wife died of tuberculosis three years after their 1841 marriage. He later had nine children with Catherine Lemaire.
The Gleaners (1857) and The Angelus (1857-59) made him famous and controversial. Both depict peasants at work with a dignity that unnerved the bourgeoisie, who saw political radicalism in the simple act of painting agricultural labourers as worthy subjects. The Angelus became one of the most widely reproduced images in the world.
Van Gogh was obsessed with him. While in the asylum at Saint-Remy in late 1889 and early 1890, Van Gogh made twenty-one copies of Millet's paintings over three months, translating them into his own colour and brushwork. Millet died in 1875, co-founder of the Barbizon school and the painter who gave peasant life a permanent place in art.
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