Going to the Battle - Edward Burne-Jones
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Beskrivning
A detailed monochromatic illustration by Edward Burne-Jones depicting three women observing a military departure, rendered with fine, rhythmic linework.
Going to the Battle is a characteristic work by Edward Burne-Jones, a figure associated with the later phase of the Pre-Raphaelite movement. The composition features three women in medieval-style dress, positioned in the foreground. Their attention is directed toward the background, where a line of soldiers with spears suggests an impending military departure. The artist employs a dense, linear style, typical of his graphic work, which draws inspiration from early Renaissance woodcuts and medieval manuscript illumination.
The figures are rendered with a focus on the texture of their garments, which are decorated with patterns of birds and floral motifs. Burne-Jones uses a fine, hatching technique to create depth and shadow, particularly in the folds of the fabric and the surrounding foliage. A small bird perched on a horizontal bar adds a quiet, domestic element to the scene, contrasting with the martial theme occurring behind the figures. The architectural elements in the distance, including a castle or fortified structure, provide a sense of place and historical context, common in the artist's imaginative reconstructions of Arthurian or chivalric narratives.
This work demonstrates the artist's interest in romanticised medievalism and his ability to weave complex, symbolic narratives into a single frame. The lack of a clear, singular action allows the viewer to contemplate the emotional weight of the scene, as the women appear to be observing the departure of the men. The attention to detail in the clothing and the surrounding environment reflects the artist's background in decorative arts, where he often collaborated with William Morris. This print captures the precise linework of the original, preserving the atmospheric quality of the monochromatic composition.
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Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Going to the Battle - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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