Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Flicka med löv - Lucian Freud
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
Ett precist porträtt från 1948 av Lucian Freud, föreställande en ung kvinna inramad av en gren med löv i en stil präglad av linjär klarhet.
Flicka med löv, målad 1948, tillhör Lucian Freuds tidiga karriär. Under denna period kännetecknades hans teknik av en noggrann, linjär precision som skiljer sig markant från den tjocka, impasto-appliceringen under hans senare år. Kompositionen visar en ung kvinna placerad centralt, med blicken fäst direkt på betraktaren. Ovanför henne hänger en gren med distinkta, sågtandade löv, vilket skapar en avsiktlig juxtaposition mellan den organiska formen och subjektet. Måleriets yta uppvisar en hög grad av kontroll. Freud använder fin penselteknik för att definiera hårets textur och ansiktets subtila konturer. Bakgrunden är en platt, texturerad yta som skjuter figuren framåt och tar bort all känsla av atmosfärisk djup. Detta val tvingar betraktaren att helt fokusera på motivets uttryck och bladverkets grafiska kvalitet. Den randiga klädseln som bärs av modellen tillför ett rytmiskt, geometriskt element till den nedre delen av ramen, vilket balanserar de oregelbundna formerna av löven ovanför. Freuds tidiga verk involverade ofta denna typ av nära observation, där modellen återges med en nästan klinisk distans. Belysningen är jämn och undviker dramatiska skuggor, vilket möjliggör en tydlig läsning av varje detalj. Detta verk visar konstnärens tidiga intresse för förhållandet mellan mänskliga subjekt och deras omedelbara omgivning. Genom att placera löven så nära modellen skapar Freud en spänning som är både tyst och oroande. Verket förblir ett tydligt exempel på hans förmåga att fånga ett specifikt psykologiskt tillstånd genom exakt, kontrollerad representation. Det är en studie i stillhet, där bristen på rörelse hos subjektet och lövens statiska natur kombineras för att skapa en känsla av upphävd tid.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Flicka med löv - Lucian Freud
Ordinarie pris
Från £30.00 GBP
Reapris
Från £30.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Lucian Freud
Freud painted skin. Not the idea of skin, not an impression of skin, but the actual weight and texture and colour of a specific person's flesh at a specific moment. His portraits take months. The sitters come to his studio day after day, holding the same position, while he builds the paint surface in layers so thick that the canvas develops its own topography.
He was Sigmund Freud's grandson. The family left Berlin for London in 1933, when Lucian was ten. He became a British citizen in 1939. The biographical connection to psychoanalysis is unavoidable and he resisted it throughout his career, though his paintings of naked bodies on beds and sofas, viewed from above in harsh overhead light, invite exactly the clinical reading he rejected.
His early work is tight, linear, almost Pre-Raphaelite in its precision: the portrait of Francis Bacon from 1952, Girl with a White Dog, Hotel Bedroom. The shift came in the late 1950s when he switched from sable brushes to hog-hair, thickened the paint, and began working on a larger scale. The flesh became heavier, more present, more uncomfortable to look at.
He painted everyone the same way. The Queen sat for him (the result was controversial). His studio assistant and bookmaker 'Big Sue' Tilley posed naked on a sofa; the painting sold for GBP33.6 million. His whippets appear repeatedly. He insisted on working from life, never photographs, and never took commissions. People came to him.
He worked every day until a few weeks before his death in 2011, at eighty-eight. His last painting was unfinished on the easel.
He was Sigmund Freud's grandson. The family left Berlin for London in 1933, when Lucian was ten. He became a British citizen in 1939. The biographical connection to psychoanalysis is unavoidable and he resisted it throughout his career, though his paintings of naked bodies on beds and sofas, viewed from above in harsh overhead light, invite exactly the clinical reading he rejected.
His early work is tight, linear, almost Pre-Raphaelite in its precision: the portrait of Francis Bacon from 1952, Girl with a White Dog, Hotel Bedroom. The shift came in the late 1950s when he switched from sable brushes to hog-hair, thickened the paint, and began working on a larger scale. The flesh became heavier, more present, more uncomfortable to look at.
He painted everyone the same way. The Queen sat for him (the result was controversial). His studio assistant and bookmaker 'Big Sue' Tilley posed naked on a sofa; the painting sold for GBP33.6 million. His whippets appear repeatedly. He insisted on working from life, never photographs, and never took commissions. People came to him.
He worked every day until a few weeks before his death in 2011, at eighty-eight. His last painting was unfinished on the easel.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £95
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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