General View of Suez - David Roberts
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A detailed watercolour by David Roberts depicting the town of Suez, featuring figures and camels in the foreground against a coastal backdrop.
David Roberts, a Scottish painter, travelled extensively through the Near East between 1838 and 1839. This work, General View of Suez, captures the coastal town as it appeared during his expedition. Roberts documented the architectural features of the region with precision, balancing the structural elements of the town against the expansive, arid environment.
The composition organises the scene into two distinct zones. In the foreground, a group of figures rests near their camels, providing a sense of scale and human activity. The artist employs a muted palette of ochre, sand, and pale blue to convey the heat and light of the desert environment. The figures are rendered with careful attention to their traditional attire, reflecting the artist's interest in the customs and daily life of the people he encountered during his travels.
Beyond the figures, the town of Suez sits on the horizon, its buildings appearing as a collection of pale, geometric forms against the water. The water itself is depicted with soft, translucent washes, creating a calm transition between the foreground and the distant shore. Roberts was known for his ability to combine topographical accuracy with a sense of atmosphere, a skill that made his lithographic series, The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, highly popular in the nineteenth century. This print offers a clear view of his technical approach, showing his use of light to define form and his disciplined application of watercolour. The work remains a record of the region before the significant changes brought about by the construction of the Suez Canal in the following decades.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
General View of Suez - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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