Forest at Martigues - André Derain
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Beskrivning
A 1908 oil painting by André Derain, depicting a wooded scene in Martigues with a focus on structural form and muted, earthy tones.
André Derain painted Forest at Martigues in 1908, a period when his work shifted away from the explosive colour palettes of his earlier Fauvist years. During this time, Derain began to adopt a more restrained approach, influenced by his study of Paul Cézanne and early Cubist experiments. The composition features tall, dark tree trunks that act as a screen, partially obscuring a small building with a red-tiled roof. The verticality of the trees creates a rhythmic structure, while the ground is rendered in earthy, muted tones of ochre and terracotta.
The brushwork is deliberate and controlled, moving away from the spontaneous, broken strokes characteristic of his 1905-1906 output. Instead, Derain focuses on the structural integrity of the scene. The interplay between the dark, silhouetted forms of the trees and the lighter, architectural elements in the background demonstrates his interest in spatial organisation. The sky is depicted in sombre greys and blues, which contrast with the warmth of the earth and the roof tiles. This work reflects the transition in early twentieth-century French painting, where artists sought to reconcile the expressive freedom of the previous decade with a renewed interest in form and composition.
Martigues, a town in the south of France, provided Derain with a subject that allowed him to explore the relationship between natural forms and human structures. The painting avoids excessive detail, opting for a simplified, almost geometric representation of the environment. By reducing the visual information to essential shapes and tones, Derain directs the viewer to the underlying order of the scene. This print captures the specific texture of the original oil paint, preserving the balance between the heavy, dark foreground and the receding architectural elements.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Forest at Martigues - André Derain
Artist Biography
Andre Derain
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
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