Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Blommor i vas - Judith Leyster
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
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Tillverkad på beställning
Beskrivning
En stillebenmålning av Judith Leyster, föreställande en vas med blommor, inklusive tulpaner och liljor, arrangerade i en vit vas dekorerad med blå mönster. Den mörka bakgrunden framhäver blommornas färger.
Judith Leyster (1609-1660) var en holländsk målare under guldåldern. Hon var en av få erkända kvinnliga konstnärer under perioden. Leyster specialiserade sig på genremålningar och porträtt, men producerade också ett litet antal stillebenmålningar. Hennes stil kännetecknas av lösa penseldrag, realistiska detaljer och användning av ljus och skugga. Hon var associerad med Haarlems skola och hennes verk visar inflytande från Frans Hals. Leysters karriär avbröts av hennes äktenskap och kraven på att uppfostra en familj. Hennes verk glömdes till stor del bort fram till slutet av 1800-talet, då det återupptäcktes och omvärderades. Idag är hon erkänd som en av de viktigaste kvinnliga konstnärerna under den holländska guldåldern. Denna stillebenmålning föreställer en vas med blommor, inklusive tulpaner, liljor och nejlikor. Blommorna är arrangerade i en vit vas dekorerad med blå mönster. Vasen står på en avsats, tillsammans med några frukter och ett musselskal. Bakgrunden är mörk, vilket hjälper till att framhäva blommornas färger. Målningen är realistisk, med noggrann uppmärksamhet på detaljerna i blommorna och vasen. Ljus och skugga används för att skapa en känsla av djup och dimension.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Blommor i vas - Judith Leyster
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Judith Leyster
Leyster signed her paintings with a monogram: her initials JL with a star. The pun was deliberate. Her father, a brewer and cloth maker, had named the family business Leyster, meaning lodestar, the Dutch word for the North Star. She painted under a navigational metaphor, which turned out to be appropriate: her career was guided by light, then obscured by it.
She was one of the first women admitted to the Haarlem Guild of St Luke, in 1633, at twenty-four. She ran her own workshop and trained students. When one of her apprentices left to join Frans Hals's workshop without Guild permission, she sued Hals. The case was settled: the student's mother paid four guilders in damages. Leyster had asked for eight.
Her best paintings were made in the seven years between 1629 and 1636. The Jolly Toper, Self-Portrait, The Proposition: they are warm, confident, technically assured, painted in a style close to Hals's but with a subtlety of expression that is entirely her own. The Proposition, showing a woman by lamplight being offered money by a man leaning over her shoulder, is one of the most psychologically complex genre paintings of the Dutch Golden Age.
In 1636 she married the painter Jan Miense Molenaer. After the marriage, painting gave way to children and household management. She probably contributed to her husband's workshop, but she stopped signing work in her own name. The solo career lasted seven years.
After her death in 1660 her work was systematically attributed to Hals. The misattribution lasted until 1893, when a painting that had been admired for over a century as a Hals was recognised as hers.
She was one of the first women admitted to the Haarlem Guild of St Luke, in 1633, at twenty-four. She ran her own workshop and trained students. When one of her apprentices left to join Frans Hals's workshop without Guild permission, she sued Hals. The case was settled: the student's mother paid four guilders in damages. Leyster had asked for eight.
Her best paintings were made in the seven years between 1629 and 1636. The Jolly Toper, Self-Portrait, The Proposition: they are warm, confident, technically assured, painted in a style close to Hals's but with a subtlety of expression that is entirely her own. The Proposition, showing a woman by lamplight being offered money by a man leaning over her shoulder, is one of the most psychologically complex genre paintings of the Dutch Golden Age.
In 1636 she married the painter Jan Miense Molenaer. After the marriage, painting gave way to children and household management. She probably contributed to her husband's workshop, but she stopped signing work in her own name. The solo career lasted seven years.
After her death in 1660 her work was systematically attributed to Hals. The misattribution lasted until 1893, when a painting that had been admired for over a century as a Hals was recognised as hers.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Judith Leyster
Leyster signed her paintings with a monogram: her initials JL with a star. The pun was deliberate. Her father, a brewer and cloth maker, had named the family business Leyster, meaning lodestar, the Dutch word for the North Star. She painted under a navigational metaphor, which turned out to be appropriate: her career was guided by light, then obscured by it.
She was one of the first women admitted to the Haarlem Guild of St Luke, in 1633, at twenty-four. She ran her own workshop and trained students. When one of her apprentices left to join Frans Hals's workshop without Guild permission, she sued Hals. The case was settled: the student's mother paid four guilders in damages. Leyster had asked for eight.
Her best paintings were made in the seven years between 1629 and 1636. The Jolly Toper, Self-Portrait, The Proposition: they are warm, confident, technically assured, painted in a style close to Hals's but with a subtlety of expression that is entirely her own. The Proposition, showing a woman by lamplight being offered money by a man leaning over her shoulder, is one of the most psychologically complex genre paintings of the Dutch Golden Age.
In 1636 she married the painter Jan Miense Molenaer. After the marriage, painting gave way to children and household management. She probably contributed to her husband's workshop, but she stopped signing work in her own name. The solo career lasted seven years.
After her death in 1660 her work was systematically attributed to Hals. The misattribution lasted until 1893, when a painting that had been admired for over a century as a Hals was recognised as hers.
She was one of the first women admitted to the Haarlem Guild of St Luke, in 1633, at twenty-four. She ran her own workshop and trained students. When one of her apprentices left to join Frans Hals's workshop without Guild permission, she sued Hals. The case was settled: the student's mother paid four guilders in damages. Leyster had asked for eight.
Her best paintings were made in the seven years between 1629 and 1636. The Jolly Toper, Self-Portrait, The Proposition: they are warm, confident, technically assured, painted in a style close to Hals's but with a subtlety of expression that is entirely her own. The Proposition, showing a woman by lamplight being offered money by a man leaning over her shoulder, is one of the most psychologically complex genre paintings of the Dutch Golden Age.
In 1636 she married the painter Jan Miense Molenaer. After the marriage, painting gave way to children and household management. She probably contributed to her husband's workshop, but she stopped signing work in her own name. The solo career lasted seven years.
After her death in 1660 her work was systematically attributed to Hals. The misattribution lasted until 1893, when a painting that had been admired for over a century as a Hals was recognised as hers.
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