Fair Rosamund - Dante Gabriel Rossetti
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
A portrait of Rosamund Clifford, mistress of King Henry II, painted by Dante Gabriel Rossetti in 1861.
Dante Gabriel Rossetti painted Fair Rosamund in 1861, a work that captures the aesthetic sensibilities of the Pre-Raphaelite Brotherhood. The subject is Rosamund Clifford, the mistress of King Henry II, who is often associated with the legend of the labyrinth at Woodstock. Rossetti depicts her with his characteristic focus on feminine beauty, featuring a model with flowing auburn hair and a pale complexion.
The composition is tight, framing the figure against a background of bullseye glass panes. This choice of setting provides a sense of enclosure, reflecting the narrative of Rosamund being hidden away from Queen Eleanor. The figure holds a sprig of rose, a visual pun on her name, while a red thread winds across the foreground, alluding to the silken cord used to guide the King through the maze. The gold necklace and the floral pattern of her dress demonstrate the attention to decorative detail that defined Rossetti's work during this period.
Technically, the painting displays the precise brushwork and clear colour palette favoured by the Pre-Raphaelites. The light is soft, illuminating the subject's face and highlighting the texture of her skin and hair. The inclusion of the rose and the thread adds a layer of symbolic narrative, typical of the literary and historical themes the artist explored throughout his career. This piece remains a clear example of the romanticised historical portraiture that defined the mid-Victorian era, focusing on the emotional and visual impact of the individual figure rather than broad historical action. The work is currently held in the National Museum of Wales, Cardiff.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fair Rosamund - Dante Gabriel Rossetti
Artist Biography
Dante Gabriel Rossetti
He was born in London to an Italian political exile and named after the author of the Divine Comedy. His father was a professor of Italian at King's College. The household ran on poetry, politics, and argument. Rossetti wrote verse throughout his life and considered himself a poet as much as a painter.
His early paintings are small, bright, and meticulously detailed in the Pre-Raphaelite manner. The Girlhood of Mary Virgin and Ecce Ancilla Domini have the flat, jewelled quality of medieval altarpieces. After 1860 the style changed. The paintings became larger, more sensual, and dominated by the face and figure of Jane Burden, who was William Morris's wife.
The relationship between Rossetti, Morris, and Jane is one of the more uncomfortable triangles in art history. Morris married her. Rossetti painted her obsessively. She modelled for Proserpine, La Pia de' Tolomei, and dozens of other works in which she appears as a mythological woman trapped in an unwanted situation. Whether the affair was physical remains debated. Morris, characteristically, said nothing publicly and channelled his feelings into wallpaper.
Rossetti buried a manuscript of his poems in his wife Lizzie Siddal's coffin when she died of a laudanum overdose in 1862. Seven years later he had the coffin exhumed to retrieve them. He published the poems. He was addicted to chloral hydrate by then and increasingly paranoid. He died in 1882, at fifty-three.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Du kanske också gillar