Et in Arcadia ego - Nicolas Poussin
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A classic Baroque composition by Nicolas Poussin, depicting figures contemplating a tomb in an idyllic setting.
Nicolas Poussin, a central figure of the French Baroque, painted this work during his time in Rome. It depicts four figures gathered around a stone tomb in a rural setting. Three shepherds and a woman examine an inscription carved into the stone, which reads 'Et in Arcadia ego'. This phrase translates to 'Even in Arcadia, I am there', with the 'I' referring to death. The composition is balanced and rational, reflecting Poussin's interest in classical order and stoic philosophy.
The figures are arranged in a frieze-like manner, echoing the relief sculptures of antiquity. Poussin uses a measured approach to light and shadow, which defines the musculature of the shepherds and the folds of the drapery. The woman stands to the left, her posture calm and observant, while the men lean toward the tomb. The seated figure in the foreground, often interpreted as an allegorical representation of the river god Alpheus, adds a sense of depth and mythological weight to the scene.
This painting is a study of mortality and the passage of time. Unlike the more dramatic and emotional works of his contemporaries, Poussin maintains a sense of intellectual detachment. The muted colour palette, dominated by earth tones and soft blues, contributes to the contemplative mood. The work remains a primary example of the artist's ability to combine rigorous geometric structure with narrative clarity. By placing the tomb within an idyllic setting, Poussin contrasts the perfection of the mythical Arcadia with the reality of human finitude. The print captures the subtle tonal shifts and the precise draughtsmanship characteristic of Poussin's mature style, offering a clear view of the composition's balanced geometry and the nuanced expressions of the figures.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Et in Arcadia ego - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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