A detailed watercolour by Eric Ravilious showing his friend and fellow artist Edward Bawden at work in his studio, captured with characteristic precision.

This watercolour depicts the artist Edward Bawden at work within his studio. Eric Ravilious, a close friend and contemporary of Bawden, captures the domestic and professional environment of a mid-1930s artist. The composition is structured around the central figure of Bawden, who sits at an easel, absorbed in his task. The room is filled with the tools of his trade, including rolls of paper, drawing boards, and a palette.

Ravilious employs a precise, controlled technique that defines his contribution to English watercolour painting. The palette is dominated by ochre and warm yellow tones, which contrast with the dark fireplace and the cool light filtering through the window. The inclusion of a cat on the rug and a discarded garment on the floor adds a sense of lived-in reality to the scene. The studio is decorated with various objects, such as a bust and a mirror, which reflect the aesthetic interests of the two artists.

The work is characteristic of the period, showing a clear interest in the intersection of private life and creative production. Ravilious avoids excessive sentimentality, preferring a clear, observational approach. The architectural details of the room, from the cornice to the fireplace, are rendered with accuracy, grounding the scene in a specific time and place. This piece offers a glimpse into the collaborative and often intertwined lives of the artists associated with the Royal College of Art during the interwar years. It is a study of concentration and the quiet atmosphere of the creative process.