A pair of early twentieth-century gelatin silver prints documenting a market scene in Ajaccio, Corsica, captured by Dutch photographer Théodore van Lelyveld.

This archival document presents two distinct gelatin silver prints mounted on a page, capturing scenes from a market in Ajaccio, Corsica. The upper photograph features Dina (Dolly) Amelia van Emden, positioned centrally within the bustling public square. She is depicted in period attire, carrying a basket, surrounded by the architectural backdrop of the town. The lower photograph shifts focus to the local vendors, specifically women seated behind large woven baskets filled with produce. The composition provides a glimpse into the daily commerce and social atmosphere of the region during the early twentieth century.

Théodore van Lelyveld, a Dutch photographer and ethnographer, maintained a keen interest in documenting cultural practices and daily life during his travels. His approach to these images is observational, prioritising the clarity of the figures and their environment. The prints exhibit the characteristic tonal range of early twentieth-century silver gelatin processes, with soft greys and deep shadows defining the forms of the market stalls and the figures. The inclusion of handwritten annotations, such as the name 'Dolly' beneath the top image, suggests these photographs were part of a personal travel album or a private collection.

These images offer a historical record of Ajaccio, documenting the interaction between visitors and the local population. The contrast between the figure of the European traveller and the local merchants provides a narrative of the era's tourism and social structure. The preservation of these photographs within a grid-lined album page maintains the context of their original assembly, allowing for an appreciation of the photographer's intent to record specific moments of his journey. The work remains a valuable example of early documentary photography, capturing the textures of the market and the quiet dignity of the subjects.