Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Dictamnus Albus L. - A. J. Wendel
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
Fördjupa dig i naturens tidlösa skönhet med detta utsökta konstverk av A. J. Wendel. Det delikata samspelet mellan rosa och vita blommor, minutiöst illustrerade, framkallar en känsla av lugn och elegans. Varje blomma är återgiven med precision och visar konstnärens mästerskap inom botanisk illustration, en hyllad konststil från 1800-talet. A. J. Wendel var känd för att fånga florans intrikata detaljer, och detta verk exemplifierar hans hängivenhet till skönhet och noggrannhet. Den harmoniska kompositionen och den mjuka färgpaletten gör detta konstverk till ett perfekt tillskott till alla konstälskares samlingar. Konstverket har delikata rosa och vita blommor, där varje kronblad och blad är intrikat detaljerat. De naturliga nyanserna ger en fräsch, lugnande närvaro, perfekt för alla miljöer. Oavsett om du placerar den i ett vardagsrum, arbetsrum eller sovrum, kommer detta konsttryck att förhöja ditt utrymme med sin diskreta elegans. Tryckt med museumsklassad 12-färg giclée-teknik på FSC-certifierat arkivpapper, lovar detta verk exceptionell kvalitet och livslängd. Finns i flera format, välj mellan inramade eller oinramade alternativ för att passa din inredningsstil. Utforska mer från våra samlingar: Botanisk Samling, Klassisk Konst, Tidlös Natur. Detta fantastiska konstverk finns exklusivt via Solis Prints. Ta med naturens skönhet in i ditt hem och njut av det lugn som detta konsttryck erbjuder.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Dictamnus Albus L. - A. J. Wendel
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
A. J. Wendel
AJ Wendel (Abraham Jacobus Wendel, 1826–1915)
AJ Wendel was a celebrated Dutch lithographer, draughtsman and scientific illustrator whose work helped define 19th-century botanical and paleontological art. Born in Leiden on 31 October 1826, Wendel trained in classical drawing before joining the Arntz & Co. printing house, where he mastered multi-colour lithography techniques. His precision and eye for natural detail made him the go-to illustrator for leading botanists, including W.H. De Vriese on the 1847 landmark volume Descriptions et figures des plantes nouvelles et rares.
Over a career spanning more than six decades, Wendel produced hundreds of plates for major publications— from Carl Ludwig Blume’s Flora Javae et insularum adjacentium (1858) to the Annales du Jardin botanique de Buitenzorg in the late 1880s. His signature “AW” or “A.J. Wendel” appears on richly detailed wood-engraved portraits of Iris, Hibiscus, Viola and countless other species, combining scientific accuracy with artistic flair. In 1887 he also partnered with Boek- en steendrukkerij P.W.M. Trap, extending his influence into paleontological illustration and cartography.
AJ Wendel’s legacy endures in herbaria and museum collections worldwide, where his plates remain prized examples of Dutch botanical lithography. Today, his prints are sought after by collectors of Victorian‐era scientific art, valued both for their historic importance and timeless aesthetic.
AJ Wendel was a celebrated Dutch lithographer, draughtsman and scientific illustrator whose work helped define 19th-century botanical and paleontological art. Born in Leiden on 31 October 1826, Wendel trained in classical drawing before joining the Arntz & Co. printing house, where he mastered multi-colour lithography techniques. His precision and eye for natural detail made him the go-to illustrator for leading botanists, including W.H. De Vriese on the 1847 landmark volume Descriptions et figures des plantes nouvelles et rares.
Over a career spanning more than six decades, Wendel produced hundreds of plates for major publications— from Carl Ludwig Blume’s Flora Javae et insularum adjacentium (1858) to the Annales du Jardin botanique de Buitenzorg in the late 1880s. His signature “AW” or “A.J. Wendel” appears on richly detailed wood-engraved portraits of Iris, Hibiscus, Viola and countless other species, combining scientific accuracy with artistic flair. In 1887 he also partnered with Boek- en steendrukkerij P.W.M. Trap, extending his influence into paleontological illustration and cartography.
AJ Wendel’s legacy endures in herbaria and museum collections worldwide, where his plates remain prized examples of Dutch botanical lithography. Today, his prints are sought after by collectors of Victorian‐era scientific art, valued both for their historic importance and timeless aesthetic.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Artistbiografi
A. J. Wendel
AJ Wendel (Abraham Jacobus Wendel, 1826–1915)
AJ Wendel was a celebrated Dutch lithographer, draughtsman and scientific illustrator whose work helped define 19th-century botanical and paleontological art. Born in Leiden on 31 October 1826, Wendel trained in classical drawing before joining the Arntz & Co. printing house, where he mastered multi-colour lithography techniques. His precision and eye for natural detail made him the go-to illustrator for leading botanists, including W.H. De Vriese on the 1847 landmark volume Descriptions et figures des plantes nouvelles et rares.
Over a career spanning more than six decades, Wendel produced hundreds of plates for major publications— from Carl Ludwig Blume’s Flora Javae et insularum adjacentium (1858) to the Annales du Jardin botanique de Buitenzorg in the late 1880s. His signature “AW” or “A.J. Wendel” appears on richly detailed wood-engraved portraits of Iris, Hibiscus, Viola and countless other species, combining scientific accuracy with artistic flair. In 1887 he also partnered with Boek- en steendrukkerij P.W.M. Trap, extending his influence into paleontological illustration and cartography.
AJ Wendel’s legacy endures in herbaria and museum collections worldwide, where his plates remain prized examples of Dutch botanical lithography. Today, his prints are sought after by collectors of Victorian‐era scientific art, valued both for their historic importance and timeless aesthetic.
AJ Wendel was a celebrated Dutch lithographer, draughtsman and scientific illustrator whose work helped define 19th-century botanical and paleontological art. Born in Leiden on 31 October 1826, Wendel trained in classical drawing before joining the Arntz & Co. printing house, where he mastered multi-colour lithography techniques. His precision and eye for natural detail made him the go-to illustrator for leading botanists, including W.H. De Vriese on the 1847 landmark volume Descriptions et figures des plantes nouvelles et rares.
Over a career spanning more than six decades, Wendel produced hundreds of plates for major publications— from Carl Ludwig Blume’s Flora Javae et insularum adjacentium (1858) to the Annales du Jardin botanique de Buitenzorg in the late 1880s. His signature “AW” or “A.J. Wendel” appears on richly detailed wood-engraved portraits of Iris, Hibiscus, Viola and countless other species, combining scientific accuracy with artistic flair. In 1887 he also partnered with Boek- en steendrukkerij P.W.M. Trap, extending his influence into paleontological illustration and cartography.
AJ Wendel’s legacy endures in herbaria and museum collections worldwide, where his plates remain prized examples of Dutch botanical lithography. Today, his prints are sought after by collectors of Victorian‐era scientific art, valued both for their historic importance and timeless aesthetic.
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