Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Urne Buriall and Ghosts - Paul Nash
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
En surrealistisk design av Paul Nash från 1932, "Design for Urne Buriall and Ghosts" blandar spöklika figurer och klassiska ruiner i ett hemsökande landskap. Ett tankeväckande tillskott till alla hem.
Denna spännande design av Paul Nash, skapad 1932, visar konstnärens engagemang i surrealismen och hans fascination för teman som döden och livet efter detta. Nash, en framstående figur inom brittisk modernism, införlivade ofta element av landskap och drömlika bilder i sitt arbete. Detta specifika verk, med titeln "Design for Urne Buriall and Ghosts", framkallar en känsla av mystik och kontemplation. Kompositionen innehåller en samling spöklika figurer, klassiska ruiner och symboliska objekt arrangerade i ett hemsökande, eteriskt landskap. Den dämpade färgpaletten och de delikata linjerna bidrar till den övergripande atmosfären av tyst obehag och introspektion. Som ett konsttryck skulle detta verk tillföra en touch av intellektuell nyfikenhet och konstnärlig sofistikering till alla utrymmen. Dess subtila färger och gåtfulla bilder gör det till ett mångsidigt verk som kan komplettera en mängd olika inredningsstilar, från minimalistiskt till eklektiskt. Den inbjuder betraktaren att fundera över djupare frågor om existensen och det förflutnas bestående kraft.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Urne Buriall and Ghosts - Paul Nash
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Nash
Before his canvases echoed with dreamscapes and wartime desolation, Paul Nash was captivated by the mystical landscapes of his childhood home in Buckinghamshire. This early immersion in nature's enigmatic beauty laid the foundation for his distinctive brand of Surrealism, one deeply rooted in the British countryside rather than Parisian cafes. Nash wasn't just painting what he saw; he was revealing the hidden spirit of the land.
Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world.
Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world.
Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Paul Nash
Before his canvases echoed with dreamscapes and wartime desolation, Paul Nash was captivated by the mystical landscapes of his childhood home in Buckinghamshire. This early immersion in nature's enigmatic beauty laid the foundation for his distinctive brand of Surrealism, one deeply rooted in the British countryside rather than Parisian cafes. Nash wasn't just painting what he saw; he was revealing the hidden spirit of the land.
Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world.
Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world.
Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
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