Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
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A psychological reinterpretation of the assassination of Jean-Paul Marat, featuring heavy brushwork and a stark, emotive colour palette.
Edvard Munch painted Death of Marat I in 1907, a work that reinterprets the historical assassination of Jean-Paul Marat. Unlike the neoclassical depictions by Jacques-Louis David, Munch focuses on the psychological tension between the victim and his assailant, Charlotte Corday. The composition places the nude figure of Corday in the foreground, standing as a static, ghostly presence, while the body of Marat lies horizontally on the bed behind her.
The colour palette is dominated by dark, moody greens and stark whites, punctuated by the visceral red of blood on the bedsheets. Munch uses heavy, visible brushwork to create a sense of unease and agitation. The space feels compressed, forcing the viewer to confront the proximity of the two figures. The painting reflects Munch's own personal experiences with trauma and his interest in the darker aspects of human relationships.
This piece is part of a series where Munch explored the theme of the murder of Marat, often projecting his own likeness onto the victim. The work avoids traditional heroic narrative, opting instead for a raw, subjective portrayal of violence and aftermath. The figure of Corday appears detached, her expression vacant, which adds to the unsettling atmosphere of the scene. The treatment of the bed and the surrounding interior is loose and gestural, typical of Munch's mature style, where form is secondary to the emotional weight of the subject matter. The painting remains a significant example of how Munch utilised historical motifs to externalise internal states of mind.
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Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
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Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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