Composition 2 - Piet Mondrian
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A classic example of De Stijl abstraction, this 1922 work by Piet Mondrian utilises a precise grid of black lines and primary colours to achieve dynamic balance.
Piet Mondrian, a central figure in the development of twentieth-century abstract art, produced Composition 2 in 1922. This work represents the artist's rigorous pursuit of a universal visual language, stripped of representational content. By this period, Mondrian had refined his vocabulary to the essential elements of painting: the straight line, the primary colours, and the non-colours of black, white, and grey.
The composition is defined by a grid of thick black lines that intersect at right angles. These lines create a series of rectangular planes of varying sizes. Within this structure, Mondrian places blocks of primary yellow, blue, and red, alongside areas of white and black. The arrangement is not arbitrary. It reflects the artist's desire to achieve a state of dynamic equilibrium, where each element balances the others without creating a sense of static symmetry. The lines do not merely frame the colours; they act as active participants in the spatial organisation of the canvas.
Unlike his earlier works, which often featured more complex grids, this piece demonstrates a move towards greater economy of means. The large, central white space provides a sense of openness, allowing the smaller, coloured rectangles to exert their visual weight. The edges of the canvas are treated as part of the composition, with lines extending to the borders, suggesting that the grid continues beyond the physical limits of the frame. This approach emphasises the flatness of the picture plane, rejecting the illusion of depth common in traditional painting. Through this systematic reduction, Mondrian sought to express a sense of order and harmony that he believed was inherent in the universe. The work remains a primary example of the De Stijl movement, which advocated for a pure, objective form of art that could transcend individual subjectivity.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Composition 2 - Piet Mondrian
Artist Biography
Piet Mondrian
Mondrian's move towards abstraction was gradual but decisive. He was influenced by Cubism after moving to Paris, but he ultimately distilled his art to its most essential elements. This radical simplification led to the birth of De Stijl, a Dutch artistic movement that sought universal harmony through pure abstraction. Mondrian believed that by reducing painting to its fundamental components – line, colour, and form – he could reveal a deeper, more spiritual reality.
Though he lived and worked in Europe for much of his life, Mondrian eventually settled in New York City during World War II. His final paintings, such as "Broadway Boogie Woogie," reflect the vibrant energy of his new urban environment. This iconic work, with its pulsating rhythms and dynamic composition, stands as a testament to Mondrian's enduring quest to capture the essence of modern life through the language of pure abstraction. His legacy continues to inspire artists and designers today.
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