Cinderella - Edward Burne-Jones
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Beskrivning
A contemplative depiction of Cinderella by Edward Burne-Jones, focusing on the character's domestic life through a muted, Pre-Raphaelite lens.
This work by Edward Burne-Jones depicts the titular character of the fairy tale in a moment of quiet reflection. Unlike the more common depictions of the character at the ball or in her transformation, this composition focuses on her domestic life. She stands before a dresser filled with blue ceramic plates, her posture suggesting weariness or contemplation. Her dress is rendered in muted tones, with a patch visible on the fabric, which serves to communicate her humble status within the household.
Burne-Jones employs a characteristic Pre-Raphaelite aesthetic, prioritising a melancholic mood over narrative action. The figure is elongated, a hallmark of the artist's later style, though this piece dates to his earlier period. The background is filled with a collection of blue pottery, which creates a rhythmic pattern behind the figure. This use of decorative objects reflects the artist's interest in the aesthetic movement and his desire to integrate fine art with craft. The colour palette is dominated by deep blues and earthy greens, which contrast with the pale skin tones of the subject.
Technically, the work demonstrates the artist's skill with watercolour and bodycolour. He builds up the surface with careful, layered brushwork to achieve a matte, almost fresco-like finish. The composition is shallow, pushing the figure towards the front of the picture plane, which forces the viewer to engage with the subject's expression. By removing the fantastical elements of the story, Burne-Jones presents a humanised version of the character, grounded in the reality of her daily chores. This approach allows the viewer to consider the emotional state of the subject rather than the plot of the fairy tale itself.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Cinderella - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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