A refined 1789 engraving by Charles Clément Bervic, depicting the French statesman Charles Gravier, Comte de Vergennes, with precise line work and formal composition.

This engraving by Charles Clément Bervic depicts Charles Gravier, Comte de Vergennes, a prominent French statesman who served as Minister of Foreign Affairs under Louis XVI. Bervic, a master of the burin, demonstrates his technical precision in this portrait. The work captures the subject within a trompe l'oeil oval frame, a common device in eighteenth-century portraiture that adds a sense of physical depth to the two-dimensional surface.

The composition is balanced and formal, reflecting the aristocratic standards of the period. Bervic employs fine, controlled lines to render the textures of the subject's clothing, the lace at his neck, and the subtle contours of his face. The shading is achieved through meticulous cross-hatching, which creates a smooth transition of tones across the skin and fabric. Below the portrait, a cartouche displays the subject's name and titles, flanked by a heraldic crest. This inclusion of text and iconography provides a clear identification of the sitter, typical of official portrait prints intended for circulation among the elite.

Bervic was highly regarded for his ability to translate the nuances of painting into the medium of engraving. His work on this portrait shows a clear understanding of light and shadow, which gives the figure a lifelike presence. The print serves as a record of the political figures of the Ancien Régime, captured just before the onset of the French Revolution. The clarity of the line work and the disciplined approach to form are characteristic of the Neoclassical style, which favoured order and restraint. This print is a fine example of the high level of craftsmanship achieved by French engravers during the late eighteenth century, demonstrating a mastery of the medium that remains clear to the modern viewer.