Bouleternère - Charles Rennie Mackintosh
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
Säker utcheckning
Tillverkad på beställning
Beskrivning
A precise watercolour study of the French village of Bouleternère, painted by Charles Rennie Mackintosh during his final years in the Pyrenees.
During the final years of his life, Charles Rennie Mackintosh relocated to the south of France, where he produced a series of watercolours documenting the architecture of the Pyrenees-Orientales region. Bouleternère is a representative example of this period, demonstrating his shift from the linear, decorative style of his Glasgow years toward a more observational, structural approach to painting.
The composition captures the village of Bouleternère, perched upon a hillside. Mackintosh employs a disciplined, geometric method to render the massing of the stone buildings. He uses a palette of muted greys, ochres, and terracotta tones to define the walls and tiled roofs, allowing the architectural forms to dominate the frame. The sky is rendered in a pale, flat wash, which provides a neutral backdrop for the dense, stacked arrangement of the village dwellings.
Unlike his earlier, more stylised floral designs, this work focuses on the physical reality of the built environment. The artist uses precise, controlled brushwork to delineate the edges of the structures, showing his training as an architect. The perspective is slightly flattened, which emphasises the rhythmic repetition of the rooflines and window apertures. This approach creates a sense of order within the chaotic, organic growth of the village. The work reflects his interest in the relationship between human construction and the natural topography of the Mediterranean region. It is a study of light, shadow, and form, stripped of unnecessary ornamentation, revealing the essential character of the French village through a modernist lens.
Returpolicy
Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.
Frakt
Vi skickar till hela världen och trycker vid den produktionsanläggning som är närmast din leveransadress. Leveranstider och kostnader varierar beroende på destination – du ser tillgängliga alternativ i kassan.
Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bouleternère - Charles Rennie Mackintosh
Artist Biography
Charles Rennie Mackintosh
He was the fourth of eleven children, seven of whom survived infancy. His father was a police superintendent. The boy was probably dyslexic, struggled badly at school, and used sketchbooks to manage what appear to have been emotional difficulties. He had a contracted sinew in one foot that gave him a limp, and childhood rheumatic fever left one side of his face permanently drooped. None of this stopped him drawing.
He enrolled at Glasgow School of Art at fifteen, studying part-time while apprenticed to the architect John Hutchinson. In 1889 he joined Honeyman and Keppie, where he would remain for nearly two decades. He met Margaret Macdonald in 1892. Together with her sister Frances and Herbert McNair, they formed a group that became known as The Four. Mackintosh and Margaret married in 1900. He acknowledged publicly that Margaret had genius where he had only talent.
His greatest commission was the Glasgow School of Art building itself, won in competition in 1897. The library wing, completed in 1909, is considered one of the finest interiors of the twentieth century. He designed all four tea rooms for the entrepreneur Catherine Cranston, going so far as to specify the waitresses' dresses and order the flowers. In Vienna, at the eighth Secessionist Exhibition in 1900, his work was received with an enthusiasm Glasgow never matched.
His style fell from favour. He drank. He was asked to leave his firm. In 1914 he and Margaret moved to Walberswick in Suffolk, where he was briefly arrested as a suspected German spy because of his Vienna correspondence and unusual manner. He was released without charge but effectively driven from the village.
In 1923, they moved to Port Vendres in the south of France. The light and landscape revived him. He painted watercolours of the surrounding hills and harbour with an obsessive attention to geological detail, completing around forty before returning to London for the last time.
Varför välja oss?
Leveransgaranti utan skador
Snabb leverans
Material av museikvalitet
Du kanske också gillar