Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Beaumes – Roger Fry
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
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Beskrivning
Landskapsmålningen "Beaumes" i olja av den brittiska konstnären Roger Fry visar konstnärens postimpressionistiska stil med lös penselföring och jordnära färgpalett.
Roger Fry (1866–1934) var en brittisk konstnär och kritiker, inflytelserik som en förespråkare av modern konst. Som medlem av Bloomsbury Group förespråkade Fry postimpressionism i Storbritannien och organiserade 1910 års utställning "Manet and the Post-Impressionists" på Grafton Galleries. Denna utställning introducerade konstnärer som Cézanne, Matisse och Van Gogh för den brittiska allmänheten, och även om den initialt möttes med fientlighet, hade den en bestående inverkan på den brittiska konstvärlden. Fry grundade också Omega Workshops 1913, som producerade dekorativ konst och textilier. Hans teoretiska skrifter, särskilt om estetik och konstkritik, är fortfarande betydande bidrag till området. "Beaumes" exemplifierar Frys postimpressionistiska stil. Målningen skildrar en lantlig scen, troligen i södra Frankrike, med en byggnad som ligger mot en sluttning. Penselföringen är lös och uttrycksfull, med synliga färgdrag som skapar textur och form. Paletten domineras av jordnära toner, med inslag av grönt och blått som lägger till djup. Kompositionen är strukturerad, men den övergripande effekten är en av spontanitet och omedelbarhet, som fångar ljuset och atmosfären på platsen.
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Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Beaumes – Roger Fry
Ordinarie pris
Från £37.00 GBP
Reapris
Från £37.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
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Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Roger Fry
Fry trained as a scientist at Cambridge before deciding he wanted to paint. He took a degree in natural sciences at King's College in 1888, then went to Italy and France to study art. The combination shaped everything he did afterward: he looked at paintings the way a chemist looks at compounds, trying to work out what made them hold together.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
In 1910 he organised an exhibition at the Grafton Galleries in London that showed Cezanne, Matisse, Van Gogh, Gauguin and Picasso to the British public for the first time. He needed a name for what these painters were doing and coined the term Post-Impressionism, which is vague enough to have stuck. Critics called him mad. Several reminded the public that his wife was in an asylum, as though this were a relevant argument about colour theory. John Singer Sargent was so furious at being listed as a supporter of the exhibition that he published open letters attacking Fry. The two became enemies. Fry later denied Sargent the right to be called an artist.
He was a central figure in the Bloomsbury Group, having met Vanessa Bell and her husband Clive in 1910. A love affair with Vanessa followed. Virginia Woolf was later entrusted with writing his biography, a task she found difficult because the family asked her to leave out the affair.
In 1913 he founded the Omega Workshops, a design collective that produced furniture, textiles, pottery and murals. The idea was that fine artists should design ordinary objects. Roger Fry's own paintings are competent but not especially memorable, which he seems to have understood. His real talent was seeing what mattered in other people's work and explaining it clearly. He wrote about African sculpture and Oceanic art when almost nobody in England took either seriously.
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