Baltimore Oriole - John James Audubon
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Beskrivning
A detailed ornithological study of the Baltimore Oriole, featuring the male and female birds with their nest, from Audubon's The Birds of America.
This print originates from the monumental publication, The Birds of America, produced by John James Audubon between 1827 and 1838. Audubon, a French-American naturalist and painter, sought to document every bird species in North America in their natural habitat. His approach differed from the static, taxidermy-based illustrations common in the early nineteenth century. Instead, he depicted birds in active poses, often interacting with their environment.
Plate 12 features the Baltimore Oriole (Icterus galbula), shown here in a composition that includes both the male and female birds alongside their distinctive hanging nest. The male is identified by its bold black and orange plumage, while the female displays more muted, olive-brown tones. Audubon placed the birds within a branch of the tulip tree, Liriodendron tulipifera, which provides a botanical context for their nesting habits. The hanging nest, a marvel of avian engineering, is rendered with attention to the woven fibres and structural form.
Technically, the work is an aquatint and etching, finished with hand-applied watercolour. This combination allowed for the fine detail of the feathers and the subtle colour gradients of the leaves and flowers. The composition is balanced, using the verticality of the branch to guide the eye across the three subjects. Audubon worked with the engraver Robert Havell Jr. to translate his original watercolours into these large-format plates. The result is a fusion of scientific observation and artistic composition. This print offers a view into the early nineteenth-century study of North American fauna, capturing the specific behaviours and physical characteristics of the Baltimore Oriole with precision.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Baltimore Oriole - John James Audubon
Artist Biography
John James Audubon
He was born illegitimate in 1785 in Les Cayes, Saint-Domingue (now Haiti), the son of a French merchant and a Creole woman. He was sent to America at eighteen to avoid Napoleonic conscription. He was also a serial fabricator: he claimed his father was an admiral (he was a captain), said his family had been imprisoned in the Bastille (they had not), and invented frontier stories about fighting wolves and sleeping in igloos. He ran a dry-goods store in Kentucky and was jailed for bankruptcy in 1819.
The paintings themselves are extraordinary: precise, dynamic, and composed with a narrative quality that goes beyond scientific illustration. His legacy is contested. The National Audubon Society and several regional chapters dropped his name in 2023 because of his documented history as an enslaver. He died in 1851.
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