His approach was defined by a rejection of single-school orthodoxy. Bunchō studied the Kano school alongside literati styles. He also examined European copperplate engravings to learn different ways of representing space. He developed a method known as eclectic painting, which integrated Western perspective into Japanese ink wash. His Shazanrō Picture Book demonstrates this versatility through subjects like bamboo and pomegranates. These prints use clean lines to present nature without unnecessary ornamentation.

Modern collectors appreciate Bunchō for his ability to isolate subjects against open space. His depictions of crabs and spiders possess a graphic quality that suits contemporary rooms. These works provide a sense of calm through their controlled brushwork. His prints offer a sophisticated alternative to more crowded ukiyo-e scenes.