His artistic approach relied on clear draughtsmanship and a structured use of colour. In works such as his views of the Hague forest or his studies of North African figures, he recorded his subjects with a sense of objectivity. He did not rely on complex symbolism or decorative flourishes to convey meaning. His sketches of parrots and peacocks demonstrate a close attention to the physical characteristics of these subjects. This preference for realism allowed him to capture the specific atmosphere of locations like the Rotterdam suburbs.

Modern collectors are drawn to the quiet clarity of his compositions. These works provide a factual record of early twentieth-century environments and people. His prints are versatile because they avoid the visual clutter of more ornamental styles. The range of his subjects, from religious designs to seaside observations, allows these pieces to fit into contemporary homes. His ability to document the world with such restraint ensures that his art remains a steady presence in any room.