His approach relied on a mastery of perspective and a clear light that defined the textures of stone and brickwork. In works like Stadspoort in de dertiende eeuw, he used architectural elements as the primary subjects rather than mere backgrounds. He avoided the chaotic brawls found in earlier Dutch genre painting, preferring the order of city gates and quiet squares. His compositions often feature small figures that provide a sense of scale without distracting from the structural geometry of the buildings. These figures appear as quiet objects within the scene, suggesting a world where life continues in a predictable, orderly fashion.

Modern collectors value these prints for their architectural precision and their calm atmosphere. The work offers a window into a nineteenth-century view of the Middle Ages, rendered with the technical skill of the Dutch tradition. These images provide a sense of stability and historical depth. They suit contemporary interiors that require art with clean lines and a neutral palette.