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Berthe Morisot
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Porträtt av Berthe Morisot och hennes dotter (Berthe Morisot) - Berthe Morisot
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Mandolinen - Berthe Morisot
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Porträtt av Paule Gobillard - Berthe Morisot
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Den lilla flickan från Nice, Celestine - Berthe Morisot
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Julie lyssnar - Berthe Morisot
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Liten flicka som sitter på gräset - Berthe Morisot
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Ung kvinna vattnar en buske – Berthe Morisot
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Dam med parasoll som sitter i en park - Berthe Morisot
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Seineflodens strandbankar - Berthe Morisot
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Landskap i Creuse - Berthe Morisot
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Ung flicka liggande - Berthe Morisot
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Seine nedanför Pont d'Iéna - Berthe Morisot
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Flicka som plockar körsbär - Berthe Morisot
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Barn i sängen - Berthe Morisot
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Läser med grönt paraply - Berthe Morisot
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Apelsinplockerskan - Berthe Morisot
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Stuginteriör (även känd som Interiör på Jersey) – Berthe Morisot
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Dahlior - Berthe Morisot
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Ung flicka med docka - Berthe Morisot
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Barn i rosengården - Berthe Morisot
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Ung kvinna och barn på en ö - Berthe Morisot
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Konstnärens dotter med en parakit - Berthe Morisot
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Höstfärger i Boulogneskogen - Berthe Morisot
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Artist Biography
Berthe Morisot
Morisot outsold Monet, Renoir, and Sisley at the 1875 Hotel Drouot auction. Her Interior fetched 480 francs, the highest price of the sale. Her death certificate listed her profession as none.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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