Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Women's Bath - Max Beckmann
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A striking 1922 drypoint by Max Beckmann, capturing a crowded bathing scene with sharp, expressive lines and a distinctively modern, psychological focus.
Max Beckmann produced this drypoint, Women's Bath, in 1922. It represents his engagement with the human figure and social observation during the Weimar Republic. The composition is crowded, featuring several figures in various states of activity within a confined bathing space. A central figure is depicted in a dynamic, inverted pose, diving or jumping into the water, which creates a sense of spatial tension. Other figures stand or sit, their expressions and postures conveying a detached, almost clinical observation of the scene.
Beckmann uses sharp, angular lines characteristic of his drypoint technique. The marks are direct and unrefined, avoiding smooth transitions in favour of raw, expressive energy. The figures are rendered with a degree of distortion, reflecting the artist's interest in the psychological state of his subjects rather than a literal depiction of reality. The patterns on the swimsuits provide a graphic contrast to the fluid, horizontal lines representing the water.
This work belongs to a period where Beckmann moved away from his earlier, more chaotic wartime imagery toward a style that examined the mundane aspects of modern life with a critical eye. The lack of traditional perspective and the compressed space force the viewer to focus on the individual interactions and the physical presence of the bathers. It is an example of the artist's ability to transform a common social setting into a scene of psychological weight. The print demonstrates his mastery of the drypoint medium, where the burr of the copper plate creates soft, velvety blacks that contrast with the stark white of the paper. This piece remains a clear example of the aesthetic concerns prevalent in German art during the 1920s.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Women's Bath - Max Beckmann
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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