Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Witnekkraanvogel (White-naped Crane) - Samuel Jessurun de Mesquita
Normale prijs
£28.00 GBP
Actieprijs
£28.00 GBP
Normale prijs
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Beschrijving
A striking woodcut print by Samuel Jessurun de Mesquita, featuring a white-naped crane rendered in bold, minimalist lines.
Samuel Jessurun de Mesquita was a Dutch graphic artist known for his mastery of the woodcut medium. His work often focused on animal subjects, rendered with a distinctive economy of line and a strong sense of graphic design. This print, titled Witnekkraanvogel, depicts a white-naped crane in a stylised, minimalist manner. The artist employs a stark contrast between the black background and the white lines of the bird and the water, a technique that emphasises the silhouette and form of the subject.
The composition is divided into two distinct zones. The upper portion contains the crane, its feathers suggested by short, rhythmic incisions into the woodblock. The lower portion represents the water, depicted through a series of horizontal, undulating lines that create a sense of movement and reflection. The crane stands in a static, contemplative pose, its head tucked slightly, which lends the image a quiet, meditative quality. De Mesquita avoids unnecessary detail, choosing instead to focus on the essential geometry of the bird and its environment.
This piece demonstrates the artist's ability to balance decorative pattern with natural observation. The repetitive nature of the lines in the water and the plumage provides a sense of order and structure, typical of his approach to printmaking. By stripping away the background and focusing on the interplay of light and dark, de Mesquita creates an image that is both graphic and evocative. The print reflects the broader interest in woodcut techniques during the early twentieth century, where artists sought to return to the directness and simplicity of the medium. It remains a fine example of his technical precision and his keen eye for the character of his animal subjects.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
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- Stof voorzichtig af met een zachte, droge doek
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Witnekkraanvogel (White-naped Crane) - Samuel Jessurun de Mesquita
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Samuel Jessurun De Mesquita
After the Nazis deported De Mesquita and his family in February 1944, M.C. Escher went to his teacher's ransacked house and rescued as much of his work as he could. Some of the prints Escher saved still bear the muddy boot prints of German soldiers. De Mesquita, his wife Elisabeth and their son Jaap all died in the camps.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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