Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Vase with Zinnias and Geraniums - Vincent van Gogh
Normale prijs
£28.00 GBP
Actieprijs
£28.00 GBP
Normale prijs
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Beschrijving
A study of floral textures and colour contrast, this still life by Vincent van Gogh captures a bouquet of zinnias and geraniums in a glass vase.
Painted during his time in Paris, this work demonstrates the shift in Vincent van Gogh's palette as he engaged with the colour theories of his contemporaries. The composition focuses on a dense arrangement of zinnias and geraniums contained within a glass vase. The artist employs thick, directional brushwork to build the forms of the petals, creating a sense of physical weight and texture that defines his approach to the still life genre.
The background is rendered in deep, dark tones, which serves to push the floral arrangement forward. This contrast allows the warm oranges, yellows, and reds of the blossoms to dominate the visual field. Van Gogh uses a variety of mark-making techniques, from short, staccato dashes to longer, sweeping strokes, to differentiate between the soft petals and the structural glass of the vessel. The surface upon which the vase sits is treated with similar vigour, featuring broken colour applications that suggest a textured tabletop.
Unlike his later works, which often feature more radical colour distortions, this piece retains a degree of naturalism in its observation of the flowers. It reflects his interest in the decorative potential of floral subjects, a theme he returned to frequently throughout his career. The signature in the lower right corner is applied with the same deliberate, heavy paint application found throughout the canvas. This print captures the tactile quality of the original oil paint, preserving the energy of the artist's hand and the specific atmospheric conditions of his Parisian studio period.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
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- Lijsten: zwart, naturel hout, donker hout of wit
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Vase with Zinnias and Geraniums - Vincent van Gogh
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Vincent Van Gogh
Van Gogh did not start painting until he was twenty-seven. Before that he tried being an art dealer (fired), a schoolteacher (quit), a bookshop assistant (quit), and a preacher in a Belgian mining town (dismissed for excessive zeal, which in this context meant giving away his clothes and sleeping on the floor). He had a pattern of total commitment followed by total collapse.
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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