Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A striking woodcut portrait of James McNeill Whistler by William Nicholson, featuring bold silhouettes and a minimalist aesthetic from the 1897 portfolio.
This woodcut print is from the 1897 portfolio titled Twelve Portraits, a collection that established William Nicholson as a master of the graphic medium. The subject is the American-born painter James McNeill Whistler, depicted in his characteristic dandyish attire. Nicholson employs a stark, minimalist approach, relying on bold contrasts between deep black ink and a muted, earthy background tone. The figure of Whistler emerges from the darkness, his silhouette defined by sharp edges and economical lines that capture his posture and presence without unnecessary detail.
Nicholson was heavily influenced by the aesthetic of the woodblock print, particularly the Japanese ukiyo-e tradition, which he adapted to suit his own graphic sensibilities. By reducing the visual information to essential shapes, he creates a sense of immediacy and character. The composition is deliberately flat, focusing on the graphic weight of the figure against the negative space. This technique allows the viewer to focus on the silhouette and the subtle suggestion of movement in the subject's stance. The print reflects the late Victorian interest in graphic design and the revival of traditional printing methods, which were being re-evaluated by artists of the period for their potential to convey personality through abstraction.
As a portrait, the work avoids the sentimentality often found in contemporary academic painting. Instead, it offers a stylised interpretation of a fellow artist, capturing Whistler's reputation for elegance and sharp wit. The limited colour palette, typical of Nicholson's work during this decade, ensures that the focus remains on the structural integrity of the image. This print remains a fine example of the graphic arts at the turn of the century, demonstrating how a restricted visual vocabulary can produce a compelling and recognisable likeness.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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