Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Twee vrouwen spreken elkaar op straat - Paul Gavarni
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£28.00 GBP
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£28.00 GBP
Normale prijs
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Beschrijving
A nineteenth-century lithograph by Paul Gavarni depicting two women in conversation, part of the Les Lorettes series documenting Parisian social life.
This lithograph by Paul Gavarni, a prominent French caricaturist of the nineteenth century, belongs to the series titled Les Lorettes. The work captures a moment of urban social interaction in Paris, depicting two women engaged in conversation on a street. Gavarni was well known for his keen observation of Parisian life, particularly the social dynamics involving the lorette, a term used to describe young women of the demi-monde who lived independently in the city.
The composition focuses on the figures, rendered with precise lines and subtle shading characteristic of Gavarni's technical skill in lithography. The women are dressed in the fashion of the early 1840s, wearing bonnets and capes that suggest their status and the period's aesthetic. The background is kept minimal, providing just enough context to suggest a street setting while ensuring the viewer remains focused on the interaction between the two subjects. The caption below the image adds a layer of narrative, typical of the satirical prints produced for journals like Le Charivari.
Gavarni's approach to his subjects is analytical rather than moralising. He documents the gestures, expressions, and clothing of his contemporaries with a sharp eye for detail. This print provides a glimpse into the social fabric of mid-nineteenth-century France, reflecting the artist's interest in the everyday lives of Parisians. The work is a fine example of the lithographic medium, which allowed for the mass production of such social commentary, making it accessible to a wider audience. The print remains a valuable record of the period's fashion and social customs, presented with the clarity and stylistic control that defined Gavarni's career.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Twee vrouwen spreken elkaar op straat - Paul Gavarni
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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