Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Twee koeien (Two Cows) - Aelbert Cuyp
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£37.00 GBP
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£37.00 GBP
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Beschrijving
A classic etching by Aelbert Cuyp depicting two cows in a pastoral setting, showcasing the artist's skill in animal anatomy and line work.
Aelbert Cuyp, a master of the Dutch Golden Age, is widely recognised for his depictions of the rural environment. This etching, titled Twee koeien, demonstrates his ability to capture the physical presence of livestock with minimal means. The composition focuses on two cows, one standing and one resting, positioned against a sparse background. Cuyp employs a direct, economical line to define the musculature and hide of the animals, using hatching to suggest volume and texture.
Unlike his large-scale oil paintings, which often feature golden, atmospheric light, this print relies on the stark contrast between the dark ink and the paper surface. The standing cow is rendered with a sense of weight, while the recumbent animal provides a stable base for the composition. Small, quick marks in the distance suggest birds in flight, adding a sense of scale to the otherwise quiet scene. The etching process allows for a spontaneity that differs from the polished finish of his painted works, offering a glimpse into his observational practice.
Cuyp was based in Dordrecht, and his work frequently returned to the themes of pastoral life. His interest in cattle was not merely decorative, as these animals were central to the Dutch economy and identity during the seventeenth century. By focusing on the anatomy and posture of the cows, Cuyp elevates a common subject to a study of form and character. This print is an example of his draughtsmanship, showing how he could convey the essence of a subject through simple, deliberate marks. It remains a clear representation of the Dutch tradition of animal studies, which valued observation and technical precision.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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- Stof voorzichtig af met een zachte, droge doek
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Twee koeien (Two Cows) - Aelbert Cuyp
Normale prijs
Vanaf £37.00 GBP
Actieprijs
Vanaf £37.00 GBP
Normale prijs
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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