Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Still Life with Drawing Board, Pipe, Onions and Sealing-Wax - Vincent van Gogh
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
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Description
A Post-Impressionist still life by Vincent van Gogh, painted in 1889, depicting a collection of personal items on a table in Arles.
Painted in January 1889, this work follows Vincent van Gogh's return to the Yellow House in Arles after his initial hospitalisation. The composition features a collection of personal objects arranged on a wooden table, including a plate of onions, a pipe, a bottle, a candle, and a copy of the 'Annuaire de la Santé' by F.V. Raspail. The presence of the medical text and the onions, which were considered a health remedy at the time, reflects the artist's preoccupation with his own physical and mental recovery during this period.
Van Gogh employs a characteristic application of paint, using short, rhythmic brushstrokes that create a sense of movement across the surface. The colour palette is dominated by warm yellows and ochres, contrasted against the cool blue of the background and the deep green of the earthenware pot. The perspective is slightly tilted, a common device in his work that draws the viewer into the domestic space. The inclusion of the sealing-wax and the letter suggests a moment of correspondence, grounding the scene in the artist's daily reality. This painting is a clear example of his ability to imbue mundane objects with emotional weight through colour and texture. The work is currently held in the collection of the Kröller-Müller Museum in Otterlo, Netherlands.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Still Life with Drawing Board, Pipe, Onions and Sealing-Wax - Vincent van Gogh
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Vincent Van Gogh
Van Gogh did not start painting until he was twenty-seven. Before that he tried being an art dealer (fired), a schoolteacher (quit), a bookshop assistant (quit), and a preacher in a Belgian mining town (dismissed for excessive zeal, which in this context meant giving away his clothes and sleeping on the floor). He had a pattern of total commitment followed by total collapse.
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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