Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Self-Portrait - Paul Gavarni
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A refined 1845 lithographic self-portrait by the French illustrator Paul Gavarni, capturing the artist with characteristic psychological depth and technical precision.
This lithographic self-portrait by Paul Gavarni, dated 1845, captures the artist at the height of his career as a prominent French caricaturist and illustrator. Gavarni, born Sulpice Guillaume Chevalier, was a keen observer of Parisian life, known for his sharp wit and technical precision. In this work, he presents himself with a direct, contemplative gaze, his features rendered with the characteristic fluidity of his lithographic style.
The composition relies on the interplay of light and shadow, a hallmark of the mid-nineteenth-century French print tradition. Gavarni uses hatching and cross-hatching to build volume in his coat and the surrounding space, creating a sense of depth that draws the viewer to his face. His posture is relaxed yet composed, reflecting the persona of the bohemian artist common in the period. The subtle textures of his cravat and the loose, naturalistic treatment of his hair demonstrate his mastery over the lithographic stone.
As a figure who documented the social strata of Paris, from the bourgeoisie to the working classes, Gavarni often infused his work with a sense of psychological realism. This self-portrait is no exception. It avoids the theatricality sometimes found in contemporary portraiture, opting instead for a quiet, personal honesty. The print serves as a record of the artist's own appearance during his most productive years, when his contributions to journals like Le Charivari shaped the visual culture of the July Monarchy. The technical execution, particularly the soft transitions in the shading, shows why Gavarni was held in such high regard by his peers and collectors of the era. This museum-grade print preserves the tonal nuances of the original lithograph, offering a clear view into the artistic identity of one of France's most prolific graphic observers.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Self-Portrait - Paul Gavarni
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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