Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Putti with Arts and Heraldic Shield - Sébastien Bourdon
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£37.00 GBP
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£37.00 GBP
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Beschrijving
A detailed seventeenth-century etching by Sébastien Bourdon, featuring allegorical putti surrounding a heraldic shield in a formal dedication to Colbert.
This etching by Sébastien Bourdon serves as a formal dedication to Jean-Baptiste Colbert, the influential minister to Louis XIV. The composition features a central heraldic shield flanked by a group of putti, who are engaged in various artistic and intellectual pursuits. These figures represent the diverse disciplines under the patronage of the French state during the seventeenth century. The inclusion of tools and instruments associated with painting, architecture, and geometry reflects the period's focus on the systematic organisation of the arts.
Bourdon, a painter and printmaker of the French Baroque, demonstrates his technical proficiency through the fine, controlled lines of the etching process. The figures are rendered with a sense of movement and grace, characteristic of the era's preference for classical motifs. The surrounding text provides a formal address to Colbert, acknowledging his role as a protector of the arts and sciences. This document functions as both a decorative print and a historical record of the relationship between the artist and his patron.
The work is typical of seventeenth-century frontispieces or dedication pages, where allegorical imagery was used to elevate the status of the recipient. The balance between the illustrative upper section and the structured typography below creates a sense of order and formality. As a piece of graphic art, it offers insight into the visual language of power and patronage in the court of the Sun King. The print captures the intersection of classical mythology and contemporary political life, presenting the arts as essential components of a flourishing state. The composition remains a clear example of the formalised aesthetic that defined the French academic tradition during this period.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Putti with Arts and Heraldic Shield - Sébastien Bourdon
Normale prijs
Vanaf £37.00 GBP
Actieprijs
Vanaf £37.00 GBP
Normale prijs
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Sebastien Bourdon
Bourdon was sent to Paris as an apprentice at the age of seven, enlisted in the army for lack of funds, and was rescued by an officer who financed his trip to Rome in 1634. There he befriended Claude Lorrain and Poussin, before being forced to flee in 1638 to escape the Inquisition because of his Calvinist faith. His life reads as a sequence of escapes.
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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