Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Princess Radziwill with Red Ribbon - Giovanni Boldini
Normale prijs
£28.00 GBP
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£28.00 GBP
Normale prijs
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Beschrijving
A striking portrait by Giovanni Boldini, capturing the elegance of the Belle Époque through rapid, expressive brushwork and a dramatic red accent.
Giovanni Boldini, an Italian painter based in Paris, became the chronicler of the Belle Époque. His portraits capture the frantic energy and social glamour of the turn of the century. This study of Princess Radziwill demonstrates his characteristic approach to the human form, where rapid, sweeping brushwork defines the subject against a dark, atmospheric background.
The composition focuses on the sitter's face and the dramatic contrast between her pale complexion and the deep, moody tones of the surrounding space. Boldini uses a limited palette, allowing the singular, saturated red of the ribbon and flower to draw the eye immediately. His technique relies on visible, gestural marks that suggest movement rather than static representation. The paint application is thin in some areas and thick in others, creating a sense of immediacy that feels almost like a sketch captured in a single sitting.
Boldini was known for his ability to convey the psychological state of his sitters through posture and gaze. Here, the Princess rests her head against her hand, a pose that suggests contemplation or weariness. The lack of detail in the background ensures that the viewer remains fixed on the subject's expression. This work reflects the artist's interest in the fleeting nature of high society, where style and gesture often took precedence over formal academic precision. By stripping away unnecessary detail, Boldini creates a direct connection between the viewer and the subject, maintaining the tension between the elegance of the sitter and the raw, expressive quality of the paint itself.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
Verzorging en materialen
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Elk Solis-stuk wordt op bestelling gemaakt met archiefbestendige materialen van galeriekwaliteit die zijn ontworpen om lang mee te gaan.
- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
- Ingelijste prints worden klaar om op te hangen geleverd
Verzorging & reiniging
Om uw kunstwerk in topconditie te houden:
- Stof voorzichtig af met een zachte, droge doek
- Vermijd langdurig direct zonlicht
- Gebruik nooit vloeibare reinigingsmiddelen op het oppervlak van de print of het canvas
- Bewaar in een droge ruimte op kamertemperatuur
- Hanteer prints met schone, droge handen
Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
Maak de look compleet
Princess Radziwill with Red Ribbon - Giovanni Boldini
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Giovanni Boldini
In 2010, a Boldini portrait was found in a Paris flat that had been sealed for over fifty years. The painting showed his former muse, the actress Marthe de Florian, and it emerged into a world that had largely forgotten both the sitter and the scale of Boldini's fame. In the 1890s he had been the most fashionable portrait painter in Paris, with a waiting list that included aristocrats, actresses and anyone who wanted to look more alive than they actually were.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
He was born in Ferrara in 1842, the son of a painter. He was filling sketchbooks by the age of five, before he could write. At eighteen he already had a reputation as a portraitist. In 1862 he went to Florence and fell in with the Macchiaioli, the Italian precursors to Impressionism whose broken brushwork and plein-air practice influenced his early style. He reached Paris in 1871 and stayed.
Time magazine later called him the "Master of Swish" for his fluid, elongated brushstrokes. His portraits captured sitters in soft focus, stretching their features to accentuate elegance and creating a sense of motion that made his subjects look both sophisticated and restless. The technique owed something to Parmigianino's Mannerist elongations and anticipated Futurism's interest in movement. He was friends with Degas, Manet, Sisley, Caillebotte and Corot, and in 1889 travelled to Spain with Degas to study Velazquez and Goya.
He worked in oil, pastel, watercolour and drawing, and was prolific across all media. He died in Paris in 1931, at eighty-eight, having outlived Belle Epoque society and the world that had kept him busy.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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