Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed Meiji-era woodblock triptych depicting the formal presentation of Saigo Takamori's head to Prince Arisogawa following the Satsuma Rebellion.
This woodblock print by Yamazaki Toshinobu depicts a specific moment following the Satsuma Rebellion, a conflict that concluded in 1877. The composition captures the formal presentation of the severed head of Saigo Takamori, the leader of the rebellion, to Prince Arisogawa Taruhito, the commander of the Imperial forces. The scene is rendered as a triptych, a common format for Meiji-era prints that allowed artists to document complex historical events on a larger scale.
The visual narrative focuses on the contrast between the traditional samurai ethos and the rapid modernisation of the Japanese military during the Meiji period. The figures are dressed in Western-style military uniforms, reflecting the adoption of European aesthetics and organisational structures by the Imperial government. The use of bold, saturated colours, particularly the reds of the curtains and the deep blues of the uniforms, is characteristic of the synthetic aniline dyes introduced to Japan during this era. These pigments allowed for a different aesthetic compared to the vegetable-based dyes of the Edo period.
Technically, the print demonstrates the precision of the woodblock medium, with clear outlines defining the figures and the architectural setting. The inclusion of text blocks, or cartouches, provides context for the viewer, identifying the key figures and the location of the event. This work functions as a visual record of a political transition, documenting the end of the samurai class and the consolidation of Imperial power. The composition is structured to guide the eye across the three panels, creating a sense of theatricality and gravity appropriate for the subject matter. It remains a significant example of how printmakers of the late nineteenth century engaged with contemporary news and political history.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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