Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Perseus's Last Duty - Max Beckmann
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A powerful 1949 mythological work by Max Beckmann, depicting the aftermath of the Perseus and Medusa encounter with raw, expressive brushwork.
Max Beckmann painted Perseus's Last Duty in 1949, during his final years in the United States. This work reflects the artist's preoccupation with classical mythology as a vehicle for personal and existential inquiry. The composition depicts the aftermath of the hero's encounter with Medusa, yet the scene is stripped of traditional heroic grandeur. Instead, Beckmann presents a claustrophobic, interior space where the act of violence is rendered with heavy, black outlines and a jarring, non-naturalistic colour palette.
The figure of Perseus is positioned in the foreground, his back to the viewer, holding a sword. Before him sits the headless torso of the Gorgon, a stark representation of the mythic event. To the right, a circular mirror or portal contains distorted reflections of figures, adding a layer of psychological complexity to the narrative. The spatial arrangement is compressed, forcing the viewer to confront the brutality of the subject matter without the comfort of distance. Beckmann employs thick, gestural brushwork that emphasises the physical presence of the paint, a characteristic of his late style.
Throughout his career, Beckmann used mythological themes to process the trauma of the twentieth century. In this piece, the myth of Perseus is not a celebration of triumph, but a meditation on the cost of action and the inescapable nature of human conflict. The figures are rendered with a raw, angular quality that avoids idealisation. By focusing on the aftermath, the artist shifts the focus from the heroic deed to the grim reality of the consequence. This print captures the tension and the specific, dark atmosphere of Beckmann's late period, offering a direct look at his approach to the human condition through the lens of ancient narrative.
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Productie
Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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- Giclée-print van museumkwaliteit voor rijke, kleurvaste kleuren
- Archiefbestendig mat fine-art papier, FSC-gecertificeerd
- Diverse formaten en inlijstopties beschikbaar
- Lijsten in zwart, naturel hout, donker hout of wit
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- Stof voorzichtig af met een zachte, droge doek
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Materialen & formaten
Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Perseus's Last Duty - Max Beckmann
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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