Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
No. 4 (shi), from the series Women Engaged in the Sericulture Industry - Kitagawa Utamaro
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A woodblock print by Kitagawa Utamaro depicting women engaged in the traditional Japanese silk production process.
This woodblock print by Kitagawa Utamaro belongs to the series Joshoku kaiko tewaza-gusa, or Women Engaged in the Sericulture Industry. Produced during the late 18th century, the series documents the various stages of silk production, an essential economic activity in Edo-period Japan. Utamaro, known for his mastery of the bijin-ga genre, applies his characteristic focus on the female form to a domestic and industrial setting.
The composition depicts three women occupied with the care of silkworms. One woman stands at the rear, holding a tray of larvae, while another leans over a low table, carefully sorting the worms. A third woman, positioned to the right, holds an empty wooden box, ready to assist. The figures are rendered with the elongated proportions and graceful posture typical of Utamaro's work. Their kimonos feature subtle patterns, and their hair is styled in the fashion of the period.
Utamaro uses a balanced, clear composition to organise the workspace. The shelves and trays provide a geometric structure that contrasts with the organic curves of the figures. The inclusion of text in the upper portion of the print provides context regarding the specific stage of sericulture being performed. The colour palette remains restrained, relying on soft tones that allow the viewer to focus on the interaction between the figures and their task. This print offers a glimpse into the daily lives of women in the late Edo period, moving beyond the typical focus on courtesans to capture a moment of collective labour. The work demonstrates the technical precision of the woodblock medium, with clean lines and careful registration of colour blocks.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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No. 4 (shi), from the series Women Engaged in the Sericulture Industry - Kitagawa Utamaro
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kitagawa Utamaro
Utamaro was arrested in 1804 for making prints depicting the sixteenth-century military ruler Toyotomi Hideyoshi. He was manacled for fifty days. He died two years later, at roughly fifty-three. The connection between the punishment and the death is debated, but the timing suggests something broke.
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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