Monkey Puzzle - Keith Haring
Archival giclée
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Description
A dynamic 1988 composition by Keith Haring, featuring his iconic, multi-coloured figures arranged within a circular frame.
Keith Haring, a central figure in the New York City art scene during the 1980s, created Monkey Puzzle in 1988. This work displays his signature approach to line and form, utilising bold, black outlines to contain segmented, multi-coloured figures. The composition is circular, forcing the viewer to trace the movement of the figures as they tumble across the dark background. Haring often used these simplified, energetic silhouettes to communicate universal themes, moving away from traditional representational art toward a more immediate, graphic language.
The figures in this piece appear to be in a state of constant motion, their limbs overlapping and intertwining in a manner that suggests a chaotic, playful energy. By filling the bodies of these figures with stripes and blocks of primary and secondary colours, Haring creates a visual rhythm that draws the eye across the entire surface. The contrast between the dark, negative space and the high-chroma figures is a hallmark of his style, which was heavily influenced by graffiti, street culture, and the immediacy of urban life.
This print captures the essence of Haring's graphic output. His work often functioned as a form of visual communication, accessible to a wide audience while maintaining a distinct aesthetic identity. The circular format of Monkey Puzzle adds a sense of containment to the otherwise frenetic energy of the figures, creating a balance between the controlled geometry of the frame and the fluid, organic shapes within. It is a clear example of his ability to synthesise complex social observations into a singular, iconic image that remains recognisable decades after its creation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Monkey Puzzle - Keith Haring
Artist Biography
Keith Haring
He moved to New York in 1978 to attend the School of Visual Arts and within two years had found his medium: white chalk on the matte black paper that covered unused advertising panels in subway stations. He drew in the stations almost every day between 1980 and 1985, sometimes producing forty drawings in a single session. Commuters watched. The police arrested him repeatedly for vandalism. The drawings kept appearing.
The subway work made him famous before galleries did. Radiant babies, barking dogs, crawling figures, flying saucers: a vocabulary of shapes repeated and recombined like a visual language. The line work was fast and confident and looked easy, which was part of the point. He wanted art that anyone could read immediately. In 1986 he opened the Pop Shop in SoHo, selling t-shirts, posters, and badges with his designs at prices people could actually pay. The art world called it selling out. Andy Warhol, who had been doing exactly the same thing for twenty years, supported him.
He was diagnosed with HIV in 1987 and with AIDS the following year. The last works are direct: the 'Ignorance = Fear' poster for ACT UP, the Barcelona mural 'Todos Juntos Podemos Parar el SIDA', the horned sperm figure that became his symbol for the virus. He set up the Keith Haring Foundation in 1989 to fund AIDS organisations and children's programmes. He died in February 1990, at thirty-one. He was cremated and his ashes were scattered in a field near Kutztown, close to where he first sat drawing with his father.
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