Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
L'Hirondelle Steamer on the Seine - Paul Signac
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A 1901 Neo-Impressionist oil painting by Paul Signac, capturing the steamer L'Hirondelle on the Seine through the precise application of colour dots.
Paul Signac, a central figure in the development of Neo-Impressionism, produced this work in 1901. The painting depicts the steamer L'Hirondelle navigating the Seine, a subject that allowed the artist to explore the interaction between industrial movement and the atmospheric conditions of the river. Signac employs the technique of divisionism, or pointillism, where small, distinct dots of colour are applied to the canvas to form an image. Rather than mixing pigments on the palette, he relies on the viewer's eye to optically blend the colours, creating a luminosity that is characteristic of his mature period.
The composition is balanced, with the steamer positioned centrally, acting as a vertical anchor against the horizontal expanse of the water and the distant banks. The brushwork is rhythmic and systematic, with the size of the dots increasing slightly compared to his earlier, more rigid works. This shift allowed for a greater sense of fluidity and light, particularly in the reflection of the steamer upon the water's surface. The palette consists of soft blues, ochres, and pale greens, capturing the hazy, diffused light of a river scene. The smoke rising from the steamer provides a subtle vertical counterpoint to the reflection below, adding a sense of gentle motion to the otherwise tranquil setting. By this stage in his career, Signac had moved away from the scientific strictness of Georges Seurat, opting for a more expressive and painterly application of colour while maintaining the structural integrity of the pointillist method. The work reflects his interest in the modernised French waterways and the changing nature of the Parisian outskirts at the turn of the century.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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L'Hirondelle Steamer on the Seine - Paul Signac
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Signac
Paul Signac, a pivotal figure in the Pointillist movement, often stands in the shadow of his more famous friend, Georges Seurat. However, Signac's contribution to the development and popularisation of this revolutionary technique is undeniable. Born in Paris in 1863, he initially trained as an architect before finding his true calling in painting. Unlike many of his contemporaries, Signac came from a relatively wealthy background, allowing him the freedom to pursue his artistic passions without the immediate pressure of commercial success.
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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