Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Les Martyrs - Paul Gavarni
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£28.00 GBP
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£28.00 GBP
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Beschrijving
A satirical lithograph by Paul Gavarni depicting a quiet, disconnected moment between a couple in a domestic interior.
Paul Gavarni, born Sulpice Guillaume Chevalier, was a master of French lithography during the nineteenth century. Known for his keen observation of Parisian life, he produced numerous series that captured the domestic habits and social tensions of his era. Les Martyrs belongs to his later period, where his focus shifted from the lighthearted fashion plates of his youth toward a more cynical, observational style of social commentary.
This lithograph depicts a quiet, domestic scene that subverts the traditional notion of marital bliss. A woman sits in a large armchair, slumped in sleep with a book resting on her lap, while her partner sits opposite, entirely obscured by a newspaper. The title, Les Martyrs, provides a dry, ironic framing for this mundane interaction. Gavarni uses the medium of lithography to create soft, tonal transitions, particularly in the rendering of the fabric of the woman's dress and the heavy curtains in the background. The composition relies on the contrast between the woman's slumped posture and the rigid, upright form of the man behind his paper.
Gavarni was a frequent contributor to journals such as Le Charivari, where his work often appeared alongside that of Honoré Daumier. While Daumier frequently targeted political figures, Gavarni preferred to examine the private lives of the bourgeoisie. His ability to convey character through posture and subtle facial expressions is evident here. The print offers a glimpse into the mid-nineteenth-century interior, reflecting the quiet alienation that could exist within the domestic sphere. The work remains a fine example of the technical precision and narrative wit that defined Gavarni's career as a graphic artist.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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Les Martyrs - Paul Gavarni
Normale prijs
Vanaf £28.00 GBP
Actieprijs
Vanaf £28.00 GBP
Normale prijs
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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